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The Midwives of Seventeenth-Century London
This book is the first comprehensive and detailed study of early modern midwives in seventeenth-century London. Midwives, as a group, have been dismissed by historians as being inadequately educated and trained for the task of child delivery. The Midwives of Seventeenth-Century London rejects these claims by exploring the midwives' training and their licensing in an unofficial apprenticeship by the Church. Dr. Evenden also offers an accurate depiction of the midwives in their socioeconomic context by examining a wide range of seventeenth-century sources. This expansive study not only recovers the names of almost one thousand women who worked as midwives in the twelve London parishes, but also brings to light details about their spouses, their families and their associates.
The Routledge History of Loneliness
The Routledge History of Loneliness takes a multidisciplinary approach to the history of a modern emotion, exploring its form and development across cultures from the seventeenth century to the present. Bringing together thirty scholars from various disciplines, including history, anthropology, philosophy, literature and art history, the volume considers how loneliness was represented in art and literature, conceptualised by philosophers and writers and described by people in their personal narratives. It considers loneliness as a feeling so often defined in contrast to sociability and affective connections, particularly attending to loneliness in relation to the family, household and commun...
Studies in English Church Music, 1550-1900
Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.
Joseph Pike
The first of its kind, Joseph Pike: The Happy Catholic Artist is a detailed biography of the popular artist of the same name. When he died in 1956, the Catholic Herald referred to him as ‘a distinguished artist’, though until this biography, little has been written about his life and work.
Christian Art
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Laurence Sterne
First published in 1975, Laurence Sterne is biography of Sterne’s life which emphasizes those experiences which informed Sterne’s fiction. The book is based on an exhaustive search for original documents, and a study of the social, political, and ecclesiastical institutions which shaped Sterne’s world. We see the novelist as a soldier’s child, student, struggling young cleric, Yorkshire famer, and judge of the spiritual courts, and we trace his literary development from political hack to humourist. The story begins – like Tristram’s – with the subject’s conception and ends with the publication of Volumes I and II of Tristram Shandy. This book will be of interest to students of literature, literary history as well as to any casual reader of Sterne’s novels.
Commoners
Challenging the view that England had no peasantry or that it had disappeared before industrialization, this text shows that common right and petty landholding shaped social relations in English villages. Their loss at enclosure sharpened social antagonisms and imprinted a pervasive sense of loss.
