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Contemporary Art and Classical Myth
Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Al?s, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, ...
The Speeches of Frederick Douglass
A collection of twenty of Frederick Douglass's most important orations This volume brings together twenty of Frederick Douglass's most historically significant speeches on a range of issues, including slavery, abolitionism, civil rights, sectionalism, temperance, women's rights, economic development, and immigration. Douglass's oratory is accompanied by speeches that influenced him, his reflections on successful rhetorical strategies, contemporary commentary on his performances, and modern-day assessments of his rhetorical legacy.
Transmissibility
This book examines transmissibility to remind us why the vitality and epistemic significance of an artwork is anachronistic and futural. Transmissibility: Writing Aesthetic History performs a transdisciplinary philosophy of aesthetic history via the work of Gilles Deleuze and Félix Guattari, Cy Twombly, Marina Abramović, Paul Celan, Cecil Taylor, Italo Calvino, Candida Höfer, and others by focusing on the□artistic and historiographic labor that differentiates artworks from other modes of creation.
Green Voices
Essays addressing relatively unknown or unexamined speeches delivered by famous or influential environmental figures. The written works of natures leading advocatesfrom Charles Sumner and John Muir to Rachel Carson and President Jimmy Carter, to name a fewhave been the subject of many texts, but their speeches remain relatively unknown or unexamined. Green Voices aims to redress this situation. After all, when it comes to the leaders, heroes, and activists of the environmental movement, their speeches formed part of the fertile earth from which uniquely American environmental expectations, assumptions, and norms germinated and grew. Despite having in common a definitively rhetorical focus, the contributions in this book reflect a variety of methods and approaches. Some concentrate on a single speaker and a single speech. Others look at several speeches. Some are historical in orientation, while others are more theoretical. In other words, this collection examines the broad sweep of US environmental history from the perspective of our most famous and influential environmental figures.
London Diocese Book
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University of Durham
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Richard Shiff: Writing After Art
A broad and deep anthology of critic and art historian Richard Shiff’s most influential writings, which have shaped our understanding of twentieth- and twenty-first-century art. “Elegantly designed as intended for broad readership, including art historians, art critics, artists, among other lovers of art, this volume is a must-read experience with pleasure and discovery." —Phong Bui, The Brooklyn Rail In his engaging and often strikingly deep observations of major modern and contemporary visual art, Shiff has written about an impressive range of artists, including Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, and Bridget Riley. A leading sc...
Bits N’ Pieces
This book briefly covers my early life up to present, age eighty-four. I started this project several years ago, just me, for my kids. Then I decided it would be fun to ask my family and friends to contribute. Just one rule: No one could say anything negative about another person. It is mostly fond memories and funny stories or incidents. It is a little bit of family history, such as a story by my oldest sister about leaving Oklahoma during the Depression, about picking cotton and working in other crops. I was about eighteen months old when we left and about seven when we reached California. Included also are some true stories about strange things that have happened to myself and some family members.
