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Ancestral North
Ancestral North: Spirituality and Cultural Imagination in Nordic Ritual Folk Music offers a detailed exploration of Nordic ritual folk music, a music scene focused on the revival of ancient folkways and archaic music that has found remarkable popularity around the globe. Once the domain of Viking reenactors and neopagan practitioners, the niche sonic and visual aesthetics of this music have found widespread visibility through a new generation of popular films, television series, and video games. The authors argue that many of these musical and media products connect with longstanding cultural attitudes about the Nordic region that conceive of it as wild, exotic, and dangerous, while also being a place of honor, community, and virtue. As such, the Nordic region and its music often becomes a vessel for reactionary escapes from all manner of modern discontentment. However, the authors also posit that spending time re-creating the music of an imaginary past offers participants the possibility for engagement and re-enchantment in the multicultural present.
Icelanders in the Viking Age
The Sagas of Icelanders are enduring stories from Viking-age Iceland filled with love and romance, battles and feuds, tragedy and comedy. Yet these tales are little read today, even by lovers of literature. The culture and history of the people depicted in the Sagas are often unfamiliar to the modern reader, though the audience for whom the tales were intended would have had an intimate understanding of the material. This text introduces the modern reader to the daily lives and material culture of the Vikings. Topics covered include religion, housing, social customs, the settlement of disputes, and the early history of Iceland. Issues of dispute among scholars, such as the nature of settlement and the division of land, are addressed in the text.
Old Norse Mythology
Old Norse Mythology is an accessible and multidisciplinary introduction to the field. It surveys the 13 most consequential Eddic poems and Snorri Sturluson’s Edda, with a text-by-text approach explaining the content of each, how they represent Old Norse mythology, and the relations between texts. Old Norse mythology was written in medieval Iceland and Scandinavia a couple of centuries after the conversion to Christianity. As such, Old Norse mythology is a literary phenomenon that was created based on cultural memories and attitudes, particularly among Icelandic scholars. Mathias Nordvig offers invaluable insight into the distinction between the historical religion that existed in pre-Chris...
The Routledge Research Companion to the Medieval Icelandic Sagas
The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.
A Companion to Old Norse-Icelandic Literature and Culture
This major survey of Old Norse-Icelandic literature and culturedemonstrates the remarkable continuity of Icelandic language andculture from medieval to modern times. Comprises 29 chapters written by leading scholars in thefield Reflects current debates among Old Norse-Icelandicscholars Pays attention to previously neglected areas of study, such asthe sagas of Icelandic bishops and the fantasy sagas Looks at the ways Old Norse-Icelandic literature is used bymodern writers, artists and film directors, both within and outsideScandinavia Sets Old Norse-Icelandic language and literature in its widercultural context
Reflections on Old Norse Myths
When seeking to understand the function of mythology in the pagan past and in medieval Iceland scholars are confronted with the problem of how sources from the Middle Ages can properly be used. The articles in this volume demonstrate diverse angles from which Old Norse mythological texts can be viewed. Many discuss methodological problems in dealing with the texts and draw on expertise from different fields of study such as history, philology, literary studies, and history of religions. The authors are all established experts in the field, but demonstrate new approaches to the study of Old Norse mythology, and offer insights into possible new directions for research.
W.H. Auden
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