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Intersections and Transpositions
This collection serves as an introduction to the great variety of approaches being used by Slavicists and historians to situate music and literature in the Russian cultural imagination. Part I focuses on music in art. The nine essays in this section explore the complex interaction of literary and musical texts in the nineteenth and twentieth centuries. Contributors discuss such writers as Pushkin, Chekhov, and Pasternak, and composers including Musorgsky, Prokofiev, Shostakovich, and Blok. Part II centers on music in life. Its five essays address music as a cultural form, as presented and enjoyed in the home, the theater, and the opera house. This book provides a unique window on The musical, literary, and social interactions that have been typical of modern Russian culture.Contributing to this volume are Thomas P. Hodge, Caryl Emerson, Jennifer Fuller, Justin Weir, Alexander Burry, James Morgan, Andrew Baruch Wachtel, Tim Langen, Jesse Langen, Richard Stites, Ilya Vinitsky, Julie Buckler, Rosamund Bartlett, Boris Gasparov, Nicholas Glossop, and Amy Nelson.
Tolstoy
This biography of the brilliant author of War and Peace and Anna Karenina "should become the first resort for everyone drawn to its titanic subject" ( Booklist, starred review). In November 1910, Count Lev Tolstoy died at a remote Russian railway station. At the time of his death, he was the most famous man in Russia, more revered than the tsar, with a growing international following. Born into an aristocratic family, Tolstoy spent his existence rebelling against not only conventional ideas about literature and art but also traditional education, family life, organized religion, and the state. In "an epic biography that does justice to an epic figure," Rosamund Bartlett draws extensively on key Russian sources, including fascinating material that has only become available since the collapse of the Soviet Union ( Library Journal, starred review). She sheds light on Tolstoy's remarkable journey from callow youth to writer to prophet; discusses his troubled relationship with his wife, Sonya; and vividly evokes the Russian landscapes Tolstoy so loved and the turbulent times in which he lived.
Wagner and the Art of the Theatre
Chapitre 6, p. 175-207, consacré à Adolphe Appia.
Politics, Identity, and Mobility in Travel Writing
This collection examines the intersections between the personal and the political in travel writing, and the dialectic between mobility and stasis, through an analysis of specific cases across geographical and historical boundaries. The authors explore the various ways in which travel texts represent actual political conditions and thus engage in discussions about national, transnational, and global citizenship; how they propose real-world political interventions in the places where the traveler goes; what tone they take toward political or socio-political violence; and how they intersect with political debates. Travel writing can be viewed as political in a purely instrumental sense, but, a...
Miss Herbert
The secret history of novelists is often a history of exile and tourism - a history of language learning. Like the story of Gustave Flaubert and Juliet Herbert, it is a history of loss and mistakes. As Flaubert finished Madame Bovary, Miss Herbert, his niece's governess, translated the novel into English. But this translation has since been lost. Miss Herbert provides a map to the imaginary country shared between writers and readers. For translation, and emigration, is the way into a new history of the novel. We assume that we can read novels in translation. We also assume that style does not translate. But the history of the novel is the history of style. Miss Herbert explores the solutions to this conundrum. This book demonstrates a new way of reading internationally - complete with maps, illustrations, and helpful diagrams. And it includes a slim appendix: 'Mademoiselle O', a story by Vladimir Nabokov, which he worked on in three languages, over thirty years, and whose original French version is now translated into English by Adam Thirlwell. Adam Thirlwell was named as one of Granta's Best of Young British Novelists in 2003 and again in 2013.
Avant-Garde World Creation
This book explores the widespread fascination with world creation among early twentieth-century artists and examines those trends within the European avant-garde. The book reflects on what ‘the world’ looks and feels like before and after World War One—and thus also concerns creativity and destruction alike in the context of modernity. Over the course of three chapters, the author focusses on works in which avant-garde artists combine and experiment with various arts and media to create alternative narratives of the world’s creation. These works include three canonized ‘total works of art’: Der Weltbaumeister (The World’s Master Builder, 1920), an illustrated book imagined as a...
The Scholar Explorer
This book is full of little known facts about Australia and Papua New Guinea, through the diaries of this amazing Russian born and German educated scientist. From an evocative tale of a feisty science-driven man who lived among the indigenous people of New Guinea, to his suffering from beriberi and malaria,sending him to Australia and a fanfare from the scientific community, Yvonne Webb presents his multiple passions, achievements and disappointments. A biological research station was built for him in Sydney. A German colleague doublecrossed him. He was instrumental in the British, German and Australian presence in New Guinea. He married a NSW Premier’s daughter. Archival material sheds light on the blackbirding trade and the slaving of people from Arnhem Land and Papua New Guinea by the adjacent Muslim Maharajahs. In Queensland he travelled recording previously unknown facts of indigenous lives. Charles Darwin and Alfred Wallace were his friends. His story is one of a driven man struggling with the politics of the time. He died prematurely of an undiagnosed brain tumour. Yet this giant of a man is generally unknown in Australia.
The Other Revolution
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The Rest Is Noise Series: The Art of Fear: Music in Stalin’s Russia
This is a chapter taken from Alex Ross’s groundbreaking history of twentieth-century classical music, The Rest is Noise.
