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Places Buddhist monuments in a social, geographical and spiritual context' His Holiness the Dalai Lama The story of how Buddhism set down its roots in India is enshrined within ancient stupas, temples, monasteries and caves – the silent sentinels of this enduring faith. Casting the Buddha takes the reader on a journey through the rich history of the enchanting Mahabodhi temple, intricate Sanchi stupas, Ajanta’s vibrant murals, Nalanda’s grand ruins and beyond, exploring how these spaces offered unique environments for art, philosophy, devotion and politics to intermingle. Sinha follows the trail of the Buddha’s footsteps as the latter went from enlightenment and teaching to an idea t...
This volume cross-examines the stability of heritage as a concept. It interrogates the past which materialises through multi-layered narratives on monuments and other objects that sustain cultural diversity. It seeks to understand how interpretations of “monuments” as “texts” are affected at the local level of experience, even as institutions such as UNESCO work to globalise and fix constructs of stable and universal heritage. Shifting away from a largely Eurocentric concept associated with architecture and monumental archaeology, this book reassesses how local and regional heritage needs to be balanced with the global and transnational. It argues that material objects and monuments ...
This book examines knowledge traditions that held together the fluid and overlapping maritime worlds of the Indian Ocean in the premodern period, as evident in the material and archaeological record. It breaks new ground by shifting the focus from studying cross-pollination of ideas from textual sources to identifying this exchange of ideas in archaeological and historical documentation. The themes covered in the book include conceptualization of the seas and maritime landscapes in Sanskrit, Arabic and Chinese narratives; materiality of knowledge production as indicated in the archaeological record of communities where writing on stone first appears; and anchoring the coasts, not only through an understanding of littoral shrines and ritual landscapes, but also by an analysis of religious imagery on coins, more so at the time of the introduction of new religions such as Islam in the Indian Ocean around the eighth century. This volume will be of great interest to researchers and scholars of archaeology, anthropology, museum and heritage studies, Indian Ocean studies, maritime studies, South and Southeast Asian studies, religious studies and cultural studies.
Tracy Pintchman sheds light on the spiritual creativity and religious life of the Parashakthi Temple in Pontiac, Michigan. Drawing on fifteen years of field research, Pintchman reveals how Karumariamman, the goddess honored by the temple, embodies the border-and-boundary-crossing dynamics of the lives of many of the congregants who worship at her temple, which in turn has become a site of religious innovation.
Reading Śiva is an illustrated bibliography on the Hindu god Śiva in the arts, crafts, coins, seals and inscriptions from South and Southeast Asia. It results from a century of ABIA bibliographic work and covers over 1500 academic publications since 1672. This scholarly and multi-disciplinary volume offers keyword-indexed annotations. The detailed indices on authors, geographic terms and subjects enable an easy search through the data. Links with the entries to resource repositories (such as JSTOR, Persée, Project MUSE, Academia.edu, ResearchGate and the Internet Archive) and links added to the sumptuous illustrations immediately take you to these resource sites.
The book presents the challenges faced by the Archaeological Survey of India (ASI) in the first two and a half decades after Indian independence. It looks at the shifts in Government policies, how ASI found its feet in a global environment, and the new realities of economic development such as big dam constructions that invariably resulted in the submergence of archaeological sites. Based on unpublished archival data, this book highlights the contributions of the longest-serving Director-General Amalananda Ghosh and members of his staff. It thus provides a corrective to the histories of archaeology that describe the policies of the post-1947 ASI as a continuation of colonial archaeologists such as Mortimer Wheeler, who was appointed Director-General at the cusp of Indian independence in 1944 by the British. The book will be indispensable to researchers and scholars of history, heritage studies and archaeology, and South Asian studies. It will also be of appeal to those interested in the history of archaeology and the development of the discipline in India
Religious icons have been a contested terrain across the world. Their implications and understanding travel further than the artistic or the aesthetic and inform contemporary preoccupations.This book traces the lives of religious sculptures beyond the moment of their creation. It lays bare their purpose and evolution by contextualising them in their original architectural or ritual setting while also following their displacement. The work examines how these images may have moved during different spates of temple renovation and acquired new identities by being relocated either within sacred precincts or in private collections and museums, art markets or even desecrated and lost. The book high...
"Religious icons have been a contested terrain across the world. Their implications and understanding travel further than the artistic or the aesthetic and inform contemporary preoccupations.This book traces the lives of religious sculptures beyond the moment of their creation. It lays bare their purpose and evolution by contextualising them in their original architectural or ritual setting while also following their displacement. The work examines how these images may have moved during different spates of temple renovation and acquired new identities by being relocated either within sacred precincts or in private collections and museums, art markets or even desecrated and lost.The book high...
This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its ...