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The Baptismal Font Canopy of St. Peter Mancroft, Norwich
The early 16th-century baptismal font canopy of the church of St. Peter Mancroft, Norwich, is one of only three such structures to survive anywhere in the British Isles. This study, inspired by the recent rediscovery of four attributable panels at the Philadelphia Museum of Art, offers a trans-temporal account of the canopy’s initial creation and subsequent use, mutilation, and modification. Written by a team of scholars in art/architectural history, art conservation, heritage documentation, literary studies, and museum curation, it explores the installation’s multiple artistic, ritual, and cultural contexts, from late medieval and early modern Europe to modern-day North America. Contributors are Benjamin Baaske, Sarah Blick, Kate Duffy, Brent R. Fortenberry, Amy Gillette, Jack Hinton, Lesley Milner, Peggy Olley, Ellen K. Rentz, Behrooz Salimnejad, Zachary Stewart, Achim Timmermann, Charles Tracy, Kim Woods, and Lucy Wrapson.
Exploring Outremer Volume II
This collection is published in the Crusades Subsidia series in honour of Professor Adrian J. Boas, an archaeologist, historian and scholar who has contributed widely and significantly to the study and teaching of the Middle Ages. Professor Boas’ research encompasses the archaeology of the Latin East, military orders with particular emphasis on the Teutonic Order, material culture, architecture and medieval art, historiography, and not least, the Crusades and the Latin East. Exploring Outremer Volume II is a collection of 15 original essays by the leading scholars in the field on the history and archaeology of the Latin East. It covers aspects dealing with the history, archaeology, architecture and function of several castles and fortifications in the Latin Kingdom, and presents new studies on the material, including pottery, numismatics and many other finds. In addition, it includes a chapter dealing with landscape archaeology. This book will appeal to researchers and students alike interested in the Kingdom of Jerusalem and Duchies of Edessa and Antioch, as well as the Crusades and Crusading Orders.
The Limits of Pilgrimage Place
Through case studies of three pilgrimage sites related to the Virgin Mary, this book explores how pilgrimage places in today’s globalized world do not exist as contained spaces but have porous boundaries, both physically and conceptually. Taking an interdisciplinary approach that draws on art history and heritage studies, the book considers the cathedral of Chartres, France; Medjugorje in Bosnia and Herzegovina; and the House of Mary near Ephesus, Turkey. In all three sites, the place of pilgrimage accommodates multiple different purposes and groups of people, intermingling devotional and commercial aspects, different memory narratives, and heterogeneous audiences. By mapping these porous boundaries, the book calls into question how we define pilgrimage place, and shows how pilgrimage sites are not set apart from the everyday world, but intimately connected with wider cultural, political, and material dynamics. This study will be relevant to scholars engaging with issues of pilgrimage, cultural heritage, and art across religious studies, art history, anthropology, and sociology.
Images of Thomas Becket in the Middle Ages and Beyond
Explores the commemoration and memorialisation of the Canterbury martyr in visual and material culture. In life, and especially in death, Thomas Becket was nothing short of a medieval celebrity, whose significance spanned the European high Middle Ages in to the sixteenth-century. Henry VIII's suppression of his cult in 1536 only served to enhance his popularity elsewhere. Visual depictions of his life, high-profile careers, spectacular demise, and posthumous legacies, are numerous. These images document both the extent, and the efficacy, of his invocation across religious, political and civic agendas. Becket remains the stuff of literature and legend, art, drama and cultural commodification....
Push Me, Pull You
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional exper...
A Companion to Medieval Art
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions coverin...
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St. Ursula and the Eleven Thousand Virgins of Cologne
The cult of St. Ursula and the Eleven Thousand Virgin Martyrs of Cologne was the most widespread relic cult in medieval Europe. The sheer abundance of relics of the Eleven Thousand Virgins, which allowed for the display of immense collections, shaped the notion of corporate cohesion that characterized the cult. Though the primacy of St. Ursula as the leader of this holy band was established by the tenth century, she was conceived as the head of a corporate body. Innumerable inventories and liturgical texts attest to the fact that this cult was commemorated and referenced as a collective mass - Undecim millium virginum. This group identity informed, and was formulated by, the presentation of ...
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