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A Space of Their Own
This collection explores how nineteenth and twentieth-century women writers incorporated the idea of ‘place’ into their writing. Whether writing from a specific location or focusing upon a particular geographical or imaginary place, women writers working between 1850 and 1950 valued ‘a space of their own’ in which to work. The period on which this collection focuses straddles two main areas of study, nineteenth century writing and early twentieth century/modernist writing, so it enables discussion of how ideas of space progressed alongside changes in styles of writing. It looks to the many ways women writers explored concepts of space and place and how they expressed these through th...
ReFocus: The Films of Michel Gondry
In this book, a range of international scholars offers a comprehensive study of this significant and influential figure, covering his French and English-language films and videos, and framing Gondry as a transnational auteur whose work provides insight into both French/European and American cinematic and cultural identity.
Targeting Libya
For over four decades, Canada has played a pivotal yet little-known role in Libya’s history. In Targeting Libya, investigative journalist Owen Schalk examines how Canadian business and government actors influenced Libya’s fate, from the rise and fall of Muammar Qadhafi to the country’s ongoing instability in the present day. Schalk details the beginnings of Canadian business and government dealings in Libya, curiously timed visits by federal cabinet ministers, Canadian military participation in the 2011 NATO-led bombing of the country, CSIS collaboration in interrogation techniques involving torture, the SNC-Lavalin corruption scandal that plagued the Trudeau government, the criminal c...
ReVisions
ReVisions examines speculative fiction, film, and television created by artists in Canada and reflecting their distinct experiences. Bringing together critical and creative works by eighteen different authors, the book re-envisions Canadian politics, cultures, and societies and asks important questions about representations of our world. The collection examines the realm of the past through a futuristic, speculative lens, asking readers to revise their understandings of past events and current relationships. Editor Wendy Roy assembles a variety of investigations of Canada and the larger world, including studies of the use of apocalyptic and dystopian scenarios by Indigenous writers to revisit Canada’s history of colonization. The varied contributions demonstrate that speculative writing can help us to see what is happening in the world around us and at the same time to re-envision it, to reconsider the consequences of our actions, and to imagine revised and perhaps better futures.
Prism International
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Master's Theses Directories
"Education, arts and social sciences, natural and technical sciences in the United States and Canada".
The Still Point of the Turning World
A bomb goes off on a college campus. A shaken Sara and Omar first notice each other. Their eyes lock and there it is - a beginning sparked in chaos, an end foretold. Four years later, their story is remembered, retold by friends, spoken of fondly by their teachers. That story unfolds between these covers: one about the noise that balloons make when they burst; of lessons on using your mother's death to your advantage; about a cry for help even though all you did was barely scrape your knee; about running faster than the wind, climbing mountains, and learning how to keep your balance in a thunderstorm. This is a tale of Pakistan and what it means to live and love in apocalyptic times. It is an ode to life in college - with all its hopes and despairs, plans and uncertainties, falling in love and trying to keep up the grades, figuring the possibilities of the self and letting go of who we are. Sheheryar B. Sheikh's The Still Point of the Turning World is a haunting meditation on young people and their awakening - into adulthood, romance and a political space that is constantly shifting around them.
The Post-9/11 Great American Novel
A study of the confluences between liberal white Americans' trauma, their reverting to hyper-conservative Islamophobia, and Don DeLillo's call to American authors that they compose a new so-called 'Great American Novel' pluriverse in the wake of 9/11. In December 2001, Don DeLillo urged American writers to create “the counternarrative” that would reclaim control of culture in a call for nation-rebuilding fiction that mirrors John William de Forest's original post-Civil War coinage of the term and concept of the “Great American Novel.” Through this conceptual framework, Sheheryar Sheikh examines four major post-9/11 works to demonstrate a concerted effort by these authors to address t...
Call Me Al
Altamaash the entertainer misstepped on to history's stage to become a politician and created a lifetime's worth of chaos and destruction in Pakistan. Now exiled to a London mansion, abandoned even by sycophants, Al yearns to relive the glory days of his rise to power. But the old guard has passed, and the colonial hangover in his home country has almost disappeared. Democracy is taking root, and with it is coming a fragile stability to the Third World. In these times Al's desire for doing his best - what's worst for the rest of us - flows into two acts of massive evil: one double-murder that shakes his own complacent party back to full attention; and a countrywide riot - the biggest the world has ever witnessed. All this Al orchestrates while perched luxuriously in exile in the UK. Woe to the day when he returns to claim the bloodstained crown. But cometh the hour, cometh the man! Sheheryar B. Sheikh's new novel is a ripping rollercoaster ride through shenanigans of subcontinental politics, and it will keep you riveted.
Sportimes
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