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Warm Nights, Deathless Days: The Life of Georgette Chen is Eisner-nominated comic artist Sonny Liew’s response to the legacy of one of Singapore’s most prominent pioneer artists Georgette Chen (1906 – 1993). The result is a moving portrait of Chen’s life, thoughts, and dreams, a charming chronicle of her days as a precocious young painter to her winning of Singapore’s prestigious Cultural Medallion in 1982. Richly illustrated in a soft, milky palette, the comic captures the quiet space of art and friendship that Chen sheltered amid a turbulent backdrop of political turmoil and personal hardship. This book is the third title in the National Gallery’s Dreaming Art Series, presenting original illustrated stories by contemporary practitioners in the arts in response to key works in the National Collection.
In 26 conversations with 26 naysayers, this book is aimed at reflecting the spectrum of naysaying in Singapore's civil society. Each person is interviewed against the backdrop of his or her bookcase, putting front and centre a life of ideas and imagination. This is a book club for curious minds. "We need more naysayers... We need to create new formulas, which you can't until you attack and challenge every sacred cow." — Kishore Mahbubani, former dean of the Lee Kuan Yew School of Public Policy Featured: Tan Tarn How Constance Singam Tay Kheng Soon Yeoh Lam Keong Cherian George Claire Leow Remy Choo Zheng Xi Teo Soh Lung Thirunalan Sasitharan Jennifer Teo Dan Wong Chua Beng Huat Kirsten Han Filzah Sumartono Alex Au Martyn See June Chua William SW Lim M. Ravi Loo Zihan Vanessa Ho Mohamed Imran Mohamed Taib Seelan Palay Sonny Liew Margaret Thomas Thum Ping Tjin
While comics published in twentieth-century China have enjoyed extensive coverage, this volume showcases recent works from other locations in Asia and beyond: Taiwan, Hong Kong, Singapore, Malaysia, Italy and the US. Thus, its Sinophone framing de-centers the hegemony of China in Chinese studies, and that of Japanese manga in comics studies. Non-mangaesque productions take center stage, and a chapter on comics-related cultural exchange with Japan covers reception of Taiwanese comics. Chapter contributors explore key themes in Sinophone studies: identity-construction and (national or medium-specific) history-writing through positive or negative connections with China as a cultural and politic...
GameAxis Unwired is a magazine dedicated to bring you the latest news, previews, reviews and events around the world and close to you. Every month rain or shine, our team of dedicated editors (and hardcore gamers!) put themselves in the line of fire to bring you news, previews and other things you will want to know.
Following Art Spiegelman's declaration that 'the future of comics is in the past,' this book considers comics memory in the contemporary North American graphic novel. Cartoonists such as Chris Ware, Seth, Charles Burns, Daniel Clowes, and others have not only produced some of the most important graphic novels, they have also turned to the history of comics as a common visual heritage to pass on to new readers. This book is a full-length study of contemporary cartoonists when they are at work as historians: it offers a detailed description of how they draw from the archives of comics history, examining the different gestures of collecting, curating, reprinting, forging, swiping, and undrawing that give shape to their engagement with the past. In recognizing these different acts of transmission, this book argues for a material and vernacular history of how comics are remembered, shared, and recirculated over time.
In Migrant Futures Aimee Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction. While financial speculation creates a future based on predicting and mitigating risk for wealthy elites, the wide range of speculative novels, comics, films, and narratives Bahng examines imagines alternative futures that envision the multiple possibilities that exist beyond capital’s reach. Whether presenting new spatial futures of the US-Mexico borderlands or inventing forms of kinship in Singapore in order to survive in an economy designed for the few, the varied texts Bahng analyzes illuminate how the futurity of speculative finance is experienced by those who find themselves mired in it. At the same time these displaced, undocumented, unbanked, and disavowed characters imagine alternative visions of the future that offer ways to bring forth new political economies, social structures, and subjectivities that exceed the framework of capitalism.
How Iranians forged a vibrant, informal video distribution infrastructure when their government banned all home video technology in 1983. In 1983, the Iranian government banned the personal use of home video technology. In Underground, Blake Atwood recounts how in response to the ban, technology enthusiasts, cinephiles, entrepreneurs, and everyday citizens forged an illegal but complex underground system for video distribution. Atwood draws on archival sources including trade publications, newspapers, memoirs, films, and laws, but at the heart of the book lies a corpus of oral history interviews conducted with participants in the underground. He argues that videocassettes helped to instituti...
The victorious Khalid returns to Brooklyn determined to get on with his life, but that's easier said than done when you're a novice superhero juggling romance, homework, and the untold powers of Doctor Fate. Fortunately, help comes in the form of a man who might know something about it: Uncle Kent Nelson.
The emperor Julius Caesar has reached out from beyond the grave to resume his campaign against the Egyptian people, and only the young Doctor Fate can protect his ancestral homeland from the ghost of its former conqueror.
Doctor Fate travels to Egypt, where the young hero discovers that an ancient, malevolent superpower is making things unduly difficult for his ancestral homeland.