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Summary of Steve LeVine's The Powerhouse
Please note: This is a companion version & not the original book. Sample Book Insights: #1 Jeff Chamberlain, the head of the Argonne Lab, was extremely worried about Wan. He was a Chinese materials scientist and the head of the Department of Energy in Beijing, and he wanted to steal Chamberlain’s team’s breakthrough lithium-ion battery technology and bring it back to China. #2 The Chinese were making huge advancements in electric car technology, and were planning on having a large-scale production of them by 2020. #3 The global financial crisis of 2008 and 2009 had scared Americans, who were determined to create a new economy on a solid foundation rather than on financial, real estate, or dot-com bubbles. Europeans were also fearful of being left behind, and Asia’s export-driven economies wanted in on the action as well. #4 China was dominating the market for lithium-ion batteries, but many countries were trying to catch up.
House of Commons - Culture, Media and Sport Committee: Supporting The Creative Economy - Volume I: HC 674
This report warns that the extraordinary success of the UK's creative industries may be jeopardised by any dilution of intellectual property rights and the failure to tackle online piracy. The Committee also strongly condemns the failure of Google in particular to tackle access of copyright infringing websites through its search engine. Such illegal piracy, combined with proposals arising from the Hargreaves review to introduce copyright exceptions, and a failure to strengthen copyright enforcement as envisaged by the Digital Economy Act 2010, together threaten the livelihoods of the individuals and industries that contribute over £36 billion annually to the UK economy. Also, the Olympics N...
Punk Rock is My Religion
As religion has retreated from its position and role of being the glue that holds society together, something must take its place. Utilising a focused and detailed study of Straight Edge punk (a subset of punk in which adherents abstain from drugs, alcohol and casual sex) Punk Rock is My Religion argues that traditional modes of religious behaviours and affiliations are being rejected in favour of key ideals located within a variety of spaces and experiences, including popular culture. Engaging with questions of identity construction through concepts such as authenticity, community, symbolism and music, this book furthers the debate on what we mean by the concepts of ‘religion’ and ‘secular’. Provocatively exploring the notion of salvation, redemption, forgiveness and faith through a Straight Edge lens, it suggests that while the study of religion as an abstraction is doomed to a simplistic repetition of dominant paradigms, being willing to examine religion as a lived experience reveals the utility of a broader and more nuanced approach.
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