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Ted Rall is a nationally syndicated political columnist for Creators Syndicate. This is a collection of the very best of Ted Rall from 2014
"Mike Rogers is a one-man United Nations. With a wickedly astute sense of humor he successfully cross-pollinates two seemingly divergent worlds with daring insight and aplomb. He's a fearless David in a land of Goliaths; his perfectly aimed slings and arrows hit the bullseye every time."--Pamela DesBarres, author of I'm With The Band, Rock Bottom, and Let's Spend the Night Together "American ambassadors are enforcers of the imperial will rather than negotiators of peace and friendship. Thank goodness those of us who love freedom have our own ambassador to Japan, Mike Rogers. With great humor and knowledge, as well as a good heart, Mike in Tokyo helps us understand a little about that great n...
With Islamophobia on the rise in the US since 9/11, Muslims remain the most misunderstood people in American society. Taking as its point of departure the question of the compatibility of Islam and democracy, this book examines Muslims’ sense of belonging in American society. Based on extensive interview data across seven states in the US, the author explores the question of what it means to be American or un-American amongst Muslims, offering insights into common views of community, culture, and wider society. Through a combination of interviewees’ responses and discourse analysis of print media, Muslim Americans also raises the question of whether media coverage of the issue might itself be considered ‘un-American’. An empirically grounded study of race and faith-based relations, this book undertakes a rigorous questioning of what it means to be American in the contemporary US. As such, it will appeal to scholars of sociology and political science with interests in race, ethnicity, religion and national identity.
First runner-up for the 2019 Ray and Pat Browne Award for the Best Edited Collection in Popular and American Culture Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.
Neil Swaab is one of the most dangerous cartoonists in America. Astoundingly depraved and outrageously hilarious, his comic strip Rehabilitating Mr. Wiggles turns family values on their heads. His is a wonderful world of addiction, intoxication, psychosis and misanthropy - all at the hands of a sexually deviant teddy bear and his human companion. Nothing this wrong should be so funny.
How Iranians forged a vibrant, informal video distribution infrastructure when their government banned all home video technology in 1983. In 1983, the Iranian government banned the personal use of home video technology. In Underground, Blake Atwood recounts how in response to the ban, technology enthusiasts, cinephiles, entrepreneurs, and everyday citizens forged an illegal but complex underground system for video distribution. Atwood draws on archival sources including trade publications, newspapers, memoirs, films, and laws, but at the heart of the book lies a corpus of oral history interviews conducted with participants in the underground. He argues that videocassettes helped to instituti...
A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe...
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