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More Than Illustrated Music
The genre of the video clip has been established for more than thirty years, mainly served by the sub genres of video art and music video. This book explores processes of hybridization between music video, film, and video art by presenting current theoretical discourses and engaging them through interviews with well-known artists and directors, bringing to the surface the crucial questions of art practice. The collection discusses topics including postcolonialism, posthumanism, gender, race and class and addresses questions regarding the hybrid media structure of video, the diffusion between content and form, art and commerce as well as pop culture and counterculture. Through the diversity of the areas and interviews included, the book builds on and moves beyond earlier aesthetics-driven perspectives on music video.
The Modersohn-Becker/Rilke Correspondence
The painter Paula Modersohn-Becker and the poet Rainer Maria Rilke first met at the Worpswede artists’ colony in 1900—a focal point of the kind of artistic innovations that were set to transform twentieth-century European culture. Modersohn-Becker and Rilke went on to enjoy an intense friendship over a period that saw both of them having to confront personal and financial challenges as they pursued their artistic vocations. This friendship was cut short by Modersohn-Becker’s tragically early death in 1907, but it left in its wake a remarkable series of letters. As fascinating and evocative when discussing the nature of married life and the difficulty of furnishing one’s home as they ...
The Aesthetics of Image and Cultural Form
Offering an alternative mode of visual cultural analysis to the prevalent discursive model, this book proposes to situate analysis of Image within ‘formal’ analyses of culture experience. Specifically, the discussion draws on theories of affective aesthetics with the view of addressing the sensual form of culture (i.e. ‘cultural form’). Therefore, the volume puts forward a mode of formalist analysis in visual cultural research which takes purchase on the idea of ‘cultural form’. A continuum of formalist attention between Image analysis (visual media, industrial design) and probing of ‘cultural forms’ establishes the theoretical underpinning of the book. These concepts are expounded through a case study which looks at formal experimentations and debates arising from 1960s avant-garde artistic practices in London.
Hilma Af Klint
A highly anticipated biography of the enigmatic and popular Swedish painter. The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe. But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds tha...
Santa Teresa
Even prior to her widely observed 500th anniversary, Teresa of Ávila (1515-1582) was already considered one of the most important authors of occidental mysticism. This volume gathers together contributions from a multitude of disciplines to explore the writings and reception of the Spanish author and saint. Previously disregarded lines of tradition are explored for a new understanding of her oeuvre, which is examined here with special regard to the potential to affect its readers. Teresa proves to not only be an accomplished, but also a very literary writer. Santa Teresa proves to be a figure of cultural memory, and the diffusion of her thinking is traced up to the present, whereby a recurrent focus is put on the phenomenon of ecstasy. Part of the widespread resonance of her work is the image of the iconic saint whose emergence as an international phenomenon is presented here for the first time. The volume is closed by an interview with Marina Abramovi answering four questions about Teresa.
Sip My Ocean
A "hypermedium" capable of accommodating almost any sensibility--from the physicality and presence of installed sculpture to the exotic flights of fantasy of the MTV format--video has played a vital role in contemporary art for more than 30 years now. Denmark's esteemed Louisiana Museum of Modern Art caught on to the potential of video art at an early stage, becoming the first museum ever to acquire a work by Nam June Paik in 1974. Since then, the museum has added works by Absalon, Johan Grimonprez, Gary Hill, Paul McCarthy, Sam Taylor-Wood, Runa Islam, Bill Viola, Aernout Mik, Candice Breitz, Peter Land, Salla Tykkä, Doug Aitken and Pipilotti Rist, after whose seminal work this book was aptly named.
Sonia Delaunay
A handsome, affordable introduction to the modernist polymath who charted the rhythms of color across textiles, illustration, painting and more Sonia Delaunay was a true pioneer of modernist abstraction; breaking with the figurative vocabulary that subordinated color to subject matter, she placed dynamic color interaction at the core of her vision, whether expressed through painting, book illustration or costume and textile design. Drawing inspiration from both traditional Russian crafts and the modern frenetic metropolis, Delaunay's work reflects the drastic changes ushered in by industrialization. Through her polyvalent practice, Delaunay helped construct the new modern woman that she hers...
Garcia, Maribel
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The Ugly Duckling
"I had a strong personal desire to illustrate Hans Christian Andersen's 'The Ugly Duckling, '" reflects pioneering performance artist Marina Abramovic (born 1946). "As a young child and growing adolescent, I felt a complete identification with the story. I, too, was the ugly duckling." Andersen's story of the ugly duckling that endures torment and loneliness before becoming a beautiful swan has resonated with readers since it was first published in 1843. Now, in this beautiful new edition of the classic fairy tale, Abramovic reimagines the story by adding new pen and crayon illustrations to the original text. This volume is the second publication in a series of Hans Christian Andersen fairy tales illustrated by contemporary artists, following the huge success of 2016's The Little Mermaid by Hans Christian Andersen & Yayoi Kusama.
