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Taking Back Desire: A Psychoanalytic Approach to Queerness and Neoliberalism on Screen
Taking Back Desire studies film, television and video art texts through a Lacanian prism to restore a sense of queer as troubling identity and resistance to neoliberal forms of inclusion. James Lawrence Slattery illuminates how the framing of desire, identity, enjoyment, resistance and knowledge contribute to the investment in neoliberal formations of being and success, despite the corrosive effects neoliberalism has had for much of society. The book does not read queerness on screen as a discernible group of characters or narrative formulas, but as a point that meaning fails in the visual and temporal field. Examining the interrelation of the real, the imaginary, and the symbolic in contemporary politics and contemporary media, Slattery investigates how a diverse selection of moving image texts forge queerness as a relationship to the lack, while crucially resisting the creation of a new or definitive ‘canon’. Taking Back Desire will be essential reading for academics and scholars of Freudian and Lacanian psychoanalysis, queer theory, late capitalism, film, television and media studies, sexuality studies, critical race theory, cultural studies and feminist theory.
The Real Gaze
Examines the gaze in Lacanian film theory.
Psychoanalytic Film Theory and The Rules of the Game
The Film Theory in Practice Series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. The first book in the series, Psychoanalytic Film Theory and The Rules of the Game, offers a concise introduction to psychoanalytic film theory in jargon-free language and shows how this theory can be deployed to interpret Jean Renoir's classic film. It traces the development of psychoanalytic film theory through its foundation in the thought of Sigmund Freud and Jacques Lacan through its contemporary manifestation in the work of theorists like Slavoj Žižek and Joan Copjec. This history will help students and scholars who are eager to learn more about this important area of film theory and bring the concepts of psychoanalytic film theory into practice through a detailed interpretation of the film.
The Philosophy of David Lynch
The editors, William J. Devlin and Shai Biderman, have compiled an impressive list of contributors to explore the philosophy at the core of David Lynch's work. Lynch is examined as a postmodern artist and the themes of darkness, logic and time are discussed in depth.
Dancing an Embodied Sinthome
This book provides the first in-depth analysis of Lacanian psychoanalytic theory and the art of dance and explores what each practice can offer the other. It takes as its starting point Jacques Lacan’s assertion that James Joyce’s literary works helped him create what Lacan terms a sinthome, thereby preventing psychosis. That is, Joyce’s use of written language helped him maintain a “normal” existence despite showing tendencies towards psychosis. Here it is proposed that writing was only the method through which Joyce worked but that the key element in his sinthome was play, specifically the play of the Lacanian real. The book moves on to consider how dance operates similarly to Jo...
Enjoying What We Don't Have
Although there have been many attempts to apply the ideas of psychoanalysis to political thought, this book is the first to identify the political project inherent in the fundamental tenets of psychoanalysis. And this political project, Todd McGowan contends, provides an avenue for emancipatory politics after the failure of Marxism in the twentieth century. Where others seeking the political import of psychoanalysis have looked to Freud’s early work on sexuality, McGowan focuses on Freud’s discovery of the death drive and Jacques Lacan’s elaboration of this concept. He argues that the self-destruction occurring as a result of the death drive is the foundational act of emancipation around which we should construct our political philosophy. Psychoanalysis offers the possibility for thinking about emancipation not as an act of overcoming loss but as the embrace of loss. It is only through the embrace of loss, McGowan suggests, that we find the path to enjoyment, and enjoyment is the determinative factor in all political struggles—and only in a political project that embraces the centrality of loss will we find a viable alternative to global capitalism.
Embracing Alienation
The left views alienation as something to be resisted or overcome, but could it actually form the basis of our emancipation? In Embracing Alienation, Todd McGowan offers a completely different take on alienation, claiming that the effort to overcome it is not a radical response to the current state of things but a failure to see the constitutive power of alienation for all of us. Instead of trying to overcome alienation and accede to an unalienated existence, it argues, we should instead redeem alienation as an existential and political program. Engaging with Shakespeare’s great tragedies, contemporary films such as Don’t Worry Darling, and even what occurs on a public bus, as well as thinkers such as Descartes, Hegel, and Marx, McGowan provides a concrete elaboration of how alienation frees people from their situation. Relying on the tradition of dialectical thought and psychoanalytic theory, Embracing Alienation reveals a new way of conceiving how we measure progress — or even if progress should be the aim at all.
The End of Dissatisfaction?
Winner of the 2004 Gary Olson Award for best book in cultural theory presented by JAC Exploring the emergence of a societal imperative to enjoy ourselves, Todd McGowan builds on the work of such theorists as Jacques Lacan, Slavoj Zðizûek, Joan Copjec, and Theresa Brennan to argue that we are in the midst of a large-scale transformation—a shift from a society oriented around prohibition (i.e., the notion that one cannot just do as one pleases) to one oriented around enjoyment. McGowan identifies many of the social ills of American culture today as symptoms of this transformation: the sense of disconnection, the increase in aggression and violence, widespread cynicism, political apathy, incivility, and loss of meaning. Discussing these various symptoms, he examines various texts from film, literature, popular culture, and everyday life, including Toni Morrison's Paradise, Tony Kushner's Angels in America, and such films as Dead Poets Society and Trigger Effect. Paradoxically, The End of Dissatisfaction? shows how the American cultural obsession with enjoying ourselves actually makes it more difficult to do so.
Lacan and Contemporary Film
This unique volume collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan's most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan's thought, but rarely in discussions of film. By bringing the encounter with the Real into the dia...
