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Poetry. Asian American Studies. "Dhompa's potent suite of poems elucidates the humanness and adversities of the Tibetan diaspora. You enter the immigrant girl-child's bifurcated world, coming and going, language to language, culture to culture, from childhood to sexuality. A lovely explication of 'dharma things as they are, and how precious they are, no special pleading Anne Waldman."
In this compelling, poetic memoir of love, loss, and longing, a daughter's pilgrimage to her mother's native Tibet becomes a journey of homecoming and self-discovery. In this beautifully written memoir, a daughter travels to her mother's Tibetan homeland and finds both her own deep connections to her heritage and a people trying to maintain its cultural integrity despite Chinese occupation. After her mother dies in a car accident in India, Tsering Wangmo Dhompa decides to take a handful of her ashes back to her homeland in Tibet. Her mother left Tibet in her youth as a refugee and lived in exile the rest of her life, always yearning to return home. When the author arrives at the foothills of...
Poetry. Asian American Studies. "There is an inevitability implicit in the directness of Tsering Wangmo Dhompa's poetry that leaves the reader quite unprepared for the sudden leaps in reality it then proposes. As the first Tibetan-American poet to receive any substantial distribution, Dhompa opens U.S. poetry up to new modes of possibility in almost anything she does. She is a terrific one, on any terms. Dhompa isn't just about bringing some new strands of thread into the American literary tapestry, she's out to reweave the whole thing. We all stand to be far richer for that. But we'll have to pay attention" Ron Silliman."
The Dalai Lama escaped from Tibet in 1959 after its occupation by China and established a government in exile in India. There, Tibetan leaders aimed to bring together displaced people from varied religious traditions and local loyalties under the banner of unity. To contest Chinese colonization and stand up for self-determination, Tibetan refugees were asked to shed regional allegiances and embrace a vision of a shared national identity. The Politics of Sorrow tells the story of the Group of Thirteen, a collective of chieftains and lamas from the regions of Kham and Amdo, who sought to preserve Tibet’s cultural diversity in exile. They established settlements in India in the mid-1960s with...
This unique collection brings us African Americans reading the Black diasporahrough the eyes of exiled Tibetan monks; Americans of Vietnamese and Tibetaneritage wrestling with the cultural norms of their parents or ancestors; Zennd Dada inspired performance pieces; and groundbreaking writings from theioneers of the Beat movement, so many of whom remain not just relevant butital to this day. With its eclectic mix of acknowledged elders and newlymergent voices, this landmark anthology vividly displays how Buddhism isnfluencing the character of contemporary poetry.
With its analytic focus on the cultural production by Tibetans-in-exile, this volume examines contemporary Tibetan fiction, poetry, music, art, cinema, pamphlets, testimony, and memoir. The twelve case studies highlight the themes of Tibetans’ self-representation, politicized national consciousness, religious and cultural heritages, and resistance to the forces of colonization. This book demonstrates how Tibetan cultural narratives adjust to intercultural influences and ongoing social and political struggles in exile.
The first systematic and detailed overview of modern Tibetan literature.
This book examines how territorial, civilisational and cultural location determines one’s gaze and attitude while representing a contested space like Tibet. It analyses representations of Tibet in three novels: James Hilton’s Lost Horizon (1933), Jamyang Norbu’s The Mandala of Sherlock Holmes (1999) and Kaushik Barua’s Windhorse (2013). It shows how these novels project different types of gaze — insider, outsider and insider-outsider — and explores them within the context of some contemporary Tibetan activist writers. The book also looks at Tibetan exilic writings and virtual activities of the Tibetan activists whose programmes and rhetoric counter the age-old image of the Tibeta...
Poetry. Asian American Studies. "Tsering Wangmo Dhompa's MY RICE TASTES LIKE THE LAKE echoes in the mind, mouth, and heart as its strangely calm English phrases settle into measured lines and stanzas. This is serious, beautiful, haunting work a unique expression, in post-modern writing, of a contemporary Buddhist woman in exile, searching for a language capable of spanning her own past, present, and future. 'It is not enough to have one tongue. / It cannot point to everything / and in every direction.'" Norman Fischer."
When her mother dies in a car accident along a great highway in India, far from her country and her family, Tsering decides to take a handful of her ashes to Tibet. She arrives at the foothills of her mother’s ancestral home in a nomadic village in East Tibet to realize that she had been preparing for this homecoming all her life. Everything is familiar to her, especially the flowers of the Tibetan summer. She understands then the gift her mother had bequeathed her: the love of a land. A Home in Tibet is a daughter’s haunting tribute to a mother and a homeland. A story about the love between a mother and a daughter who only had each other as family and refuge, it gestures to the journeys made by those exiled from their lands, and the dreams of daughters.