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A Cultural History of Color in Antiquity
A Cultural History of Color in Antiquity covers the period 3000 BCE to 500 CE. Although the smooth, white marbles of Classical sculpture and architecture lull us into thinking that the color world of the ancient Greeks and Romans was restrained and monochromatic, nothing could be further from the truth. Classical archaeologists are rapidly uncovering and restoring the vivid, polychrome nature of the ancient built environment. At the same time, new understandings of ancient color cognition and language have unlocked insights into the ways – often unfamiliar and strange to us – that ancient peoples thought and spoke about color. Color shapes an individual's experience of the world and also...
The Color of Life
There has been a persistent tradition of enlivening sculptures with color. This book presents five essays on polychromy in classical Greek through contemporary sculpture, along with discussions of over 40 extraordinary polychrome sculptures.
Iconotropy and Cult Images from the Ancient to Modern World
The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.
Minerva
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Defining Beauty
Greek sculpture is full of breathing vitality and yet, at the same time, it reaches beyond mere imitation of nature to give form to thought in works of timeless beauty. For over 2000 years the Greeks experimented with representing the human body in works that range from prehistoric abstract simplicity to the full-blown realism of the age of Alexander the Great. The ancient Greeks invented the modern idea of the human body in art as an object of sensory delight and as a bearer of meaning. Their vision has had a profound influence on the way the western world sees itself. Drawing on the British Museum's outstanding collection of Greek sculpture - including extraordinary pieces from the Parthen...
Aegaeum
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Gods in Color
ForewordMAX HOLLEINESSAYSA HISTORY OF RESEARCH AND SCHOLARSHIP ON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ BRINKMANNON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ. BRINKMANN AND ULRIKE KOCH-BRINKMANNREDISCOVERING COLORPolychrome Art from Ancient Egypt and the Near EastRENÉE DREYFUSESSAYSTHE DISCOVERY OF THE POLYCHROMY OF ANCIENT GREEK SCULPTUREWinckelmann's Research on Statues and TextsOLIVER PRIMAVESICOLOR AND LIGHTDodwell and Pomardi in GreeceJOHN CAMP.ANCIENT PAINTS AND.PAINTING TECHNIQUES Methods of InvestigationVINZENZ BRINKMANN, ULRIKE KOCH-BRINKMANN, AND HEINRICH PIENINGCATALOGUE OF THE EXHIBITIONBibliographyAcknowledgmentsMAX HOLLEINPhotography Credits.
Metron
Contents: Foreword ; List of abbreviations ; A. KEYNOTE ADDRESS ; James D. MUHLY : Archaeology and Archaeometry: Why We Need (and Should Want) to Work Together ; B. MEASURING THE AEGEAN LANDSCAPE ; Gisela WALBERG: Measuring the Aegean Landscape ; Daniel J. PULLEN: Site Size, Territory, and Hierarchy: Measuring Levels of Integration and Social Change in Neolithic and Bronze Age Aegean Societies ; Richard ROTHAUS, Eduard REINHARDT, Thomas TARTARON and Jay NOLLER: A Geoarchaeological Approach for Understanding Prehistoric Usage of the Coastline of the Eastern Korinthia ; Anastasia DAKOURI-HILD, Eleni ANDRIKOU, Vassilis ARAVANTINOS and Elena KOUNTOURI: A GIS in Boeotian Thebes: Taking Measures f...
The Persistence of Myth as Symbolic Form
As a central part of his philosophy of symbolic forms as a form of religious expression, and as a political problematic the question of myth belongs at the heart of Ernst Cassirers intellectual enterprise. Using a variety of methodological and conceptual approaches, these papers examine the persistence of myth as a symbolic form from a variety of perspectives: philosophical, anthropological, psychological, political, and historico-cultural. In its way each paper attempts, in Cassirers phrase, to see the adversary face to face.
