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Theological and Philosophical Explorations of the Call of Literature
This book explores the ‘call’ of literature, for both writers and their audiences, and reflects on how literary works have informed and drawn from – and continue to inform and draw from – theology, philosophy and sacred scripture. Key questions addressed include the following: How do creative writers and critics conceive this call? What does it mean to speak of a ‘vocation’ to write and what have theologians and philosophers got to say on the matter? Is the spirit of literature always or necessarily an ‘angel of light’? Or is the call of literature a siren song? The essays by an international and interdisciplinary range of contributors discuss the work and testimony of writers from William Blake, Gerard Manley Hopkins and R.S. Thomas to James Joyce, Virginia Woolf and Michel Houellebecq. Also examined are the ideas and influence of figures such as John Henry Newman, who wrote that the importance of literature stems from our very nature and God-given powers as human beings, especially language. This latest volume from The Power of the Word Project will be of interest to scholars from theology, philosophy and literature.
The Wiley Blackwell Companion to Contemporary British and Irish Literature
THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writi...
Form and Faith in Victorian Poetry and Religion
This study explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. It discusses major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - and also argues that their work was influenced by a host of minor and less studied writers.
Edward Thomas
Edward Thomas volunteered when he was 37 years old and a father of three and was killed, as an artillery officer, during the first hour of the Arras offensive, on April 9th, 1917. In the two years before his death, he wrote the 144 poems which ensured a place for him among the poets of his generation. Though all his poems had been written OC under stormOCOs wingOCO, Thomas was not a war poet in the sense that Owen, Sassoon or Rosenberg were war poets. Before he turned to poetry in December 1914, he..."
The Literary Afterlives of Simone Weil
Finalist, 2025 Scholarly Writing Award, Saskatchewan Book Awards The French philosopher-mystic-activist Simone Weil (1909–1943) has drawn both passionate admiration and scornful dismissal since her early death and the posthumous publication of her writings. She has also provoked an extraordinary range of literary writing focused on not only her ideas but also her person: novels, nonfiction, and especially poetry. Given the challenges of Weil’s ethic of self-emptying attention, what accounts for her appeal, especially among women writers? This book tells the story of some of Weil’s most dedicated—and at points surprising—literary conversation partners, exploring why writers with var...
Ravens of Vienna
Vienna in 1942 is a city overrun with Nazis, profiteers, and spies. A desperate Nazi officer, under pressure from his superiors, bullies Lichtblau, a banker, also a writer, into handing him over some of the bank’s money. He is the object of hatred on the part of Hellroth, who has always been in love with Lichtblau’s wife. As Lichtblau’s and his family’s lives become more and more perilous, they devise a plan for his wife and children to leave Vienna and travel across Europe to England. Once in Oxford, a professor, Tom Oliver, with whom they have been in touch through a Resistance network in Europe, is due to take them in. Tom Oliver is loosely based on the figure of Maurice Bowra (18...
Victorian Poetry
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21st-Century Dylan
Bob Dylan has constantly reinvented the persona known as “Bob Dylan,” renewing the performance possibilities inherent in his songs, from acoustic folk, to electric rock and a late, hybrid style which even hints at so-called world music and Latin American tones. Then in 2016, his achievements outside of performance – as a songwriter – were acknowledged when he was awarded the Nobel Literature Prize. Dylan has never ceased to broaden the range of his creative identity, taking in painting, film, acting and prose writing, as well as advertising and even own-brand commercial production. The book highlights how Dylan has brought his persona(e) to different art forms and cultural arenas, and how they in turn have also created these personae. This volume consists of multidisciplinary essays written by cultural historians, musicologists, literary academics and film experts, including contributions by critics Christopher Ricks and Nina Goss. Together, the essays reveal Dylan's continuing artistic development and self-fashioning, as well as the making of a certain legitimized Dylan through critical and public recognition in the new millennium.
