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Dress Hermeneutics and the Hebrew Bible
Antonios Finitsis and contributors continue their examination of dress and clothing in the Hebrew Bible in this collection of illuminating essays. Straddling the divide between the material and the ideological, this book lends shape and texture to topics including social standing, agency, and the motif of cloth and clothing in Esther. Essays also explore the function of dress metaphors in imprecatory Psalms, the symbolic function of headdresses, and the divine clothing of Adam and Eve and the hermeneutics of trauma recovery. Together, the contributors continue to shape scholarly discourse on a growing body of scholarship on dress in the Bible. By turning their analytical gaze to this primary evidence, the contributors are able to reveal the social, psychological, aesthetic, ideological and symbolic meanings of dress in the Hebrew Bible, thereby producing insights into the literature and cultural world of the ancient Near East.
Sumerian Texts from Ancient Iraq
The 145 tablets presented in this volume are among a larger group of 302 tablets confiscated by U.S. customs which were being stored in a World Trade Center building when it was destroyed on 9/11. The 145 tablets, which come from an unknown site near Nippur in southern Iraq, are the documents of a high official named Aradmu that detail routine agricultural operations, including receipts and grain loans. The group was repatriated to Iraq in late 2010, after the tablets were conserved and the author had completed his study. The editions offered in this volume complete an incredible journey for the tablets and the stories they hold.
Gendered Violence in Biblical Narrative
This book uses three examples of violent biblical stories about women, explored through the lens of conceptual metaphor theory in relation to culinary language used within these texts, to examine wider issues of gender and sexual violence in the Hebrew Bible. Utilising the tools of conceptual metaphor theory, feminist criticism, and classic textual analysis, Brownsmith interrogates some of the most troubling biblical passages for women—neither by redeeming them nor by condemning them, but by showing how they are intrinsically shaped by the enduring metaphor of woman as food in the Hebrew Bible, ancient Near East, and beyond. The volume explores three main case studies: the Levite’s “co...
The Assyrians
An accessible guide to the history of the Assyrian empire from the perspective of its powerful elites. At the height of its power near 660 BC, the Assyrian empire, centered in northern Iraq, wielded dominance from Egypt to Iran. This vast region was ruled by a series of kings who demonstrated their power with magnificent palaces adorned by sculptures depicting rituals, battles, and hunts. Established by military might, the empire thrived under the guidance of scholars who interpreted divine will and administrators who relocated tens of thousands of people to serve the state. This book relates the history of Assyria through the lens of its royal family and the officials who commissioned its buildings, art, and literature—each a critical part of the foundation for the later Babylonian and Persian empires.
Figurines in Achaemenid Period Yehud
Were there figurines in Yehud during the Achaemenid period, and in particular in Jerusalem? A positive answer to this question disproves the general consensus about the absence of figurines in Yehud, which is built on the assumption that the figurines excavated in Judah/Yehud are chronologically indicative for Iron Age II in this area (aside from a few typological exceptions). Ephraim Stern and others have taken this alleged absence of figurines as indicative of Jewish monotheism's rise. Izaak J. de Hulster refutes this `no figurines -> monotheism' paradigm by detailed study of the figurines from Yigal Shiloh's excavation in the 'City of David' (especially their contexts in Stratum 9), providing ample evidence for the presence of figurines in post-587/586 Jerusalem. The author further reflects on the paradigm's premises in archaeology, history, the history of religion, theology, and biblical studies, and particularly in coroplastics (figurine studies).
Image, Text, Exegesis
Images from the ancient Near East are an important though generally underutilized source of data for interpreting the Hebrew Bible and the cultural context from which it emerged. The essays in this volume highlight the ways that ancient Near Eastern iconography can inform exegesis. This aim is accomplished through case studies in iconographic exegesis that exhibit sound methodologies for relating images and texts. Since the 1970s, biblical scholars have been turning increasingly to iconography as a source for understanding the religion, history and literature of the ancient Near East. The essays in this volume tackle two thorny issues: 1) how images reflect the cultures that produce them and 2) the nature of the relationship between images and texts, both within discrete cultures and among different cultures. Until now, there have been relatively few methodologically self-conscious treatments of ancient iconography and its relationship to the biblical text. So this volume addresses a clear need for demonstrating transparent and consistent methods for iconographic work among biblical scholars.
Assyria to Iberia
The exhibition "Assyria to Iberia at the Dawn of the Classical Age" (The Metropolitan Museum of Art, New York, 2014) offered a comprehensive overview of art and cultural exchange in an era of vast imperial and mercantile expansion. The twenty-seven essays in this volume are based on the symposium and lectures that took place in conjunction with the exhibition. Written by an international group of scholars from a wide variety of disciplines, they include reports of new archaeological discoveries, illuminating interpretations of material culture, and innovative investigations of literary, historical, and political aspects of the interactions that shaped art and culture in the in the early first millennium B.C. Taken together, these essays explore the cultural encounters of diverse populations interacting through trade, travel, and migration, as well as war and displacement, in the ancient world. Assyria to Iberia: Art and Culture in the Iron Age contributes significantly to our understanding of the epoch-making exchanges that spanned the Near East and the Mediterranean and exerted immense influence in the centuries that followed.
Testing the Canon of Ancient Near Eastern Art and Archaeology
Testing the Canon of Ancient Near Eastern Art and Archaeology invites readers to reconsider the contents and agendas of the art historical and world-culture canons by looking at one of their most historically enduring components: the art and archaeology of the ancient Near East. Ann Shafer, Amy Rebecca Gansell, and other top researchers in the field examine and critique the formation and historical transformation of the ancient Near Eastern canon of art, architecture, and material culture. Contributors flesh out the current boundaries of regional and typological sub-canons, analyze the technologies of canon production (such as museum practices and classroom pedagogies), and voice first-hand ...
Bir Ftouha
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The Amuq Valley Regional Projects
The results of the Amuq Valley Regional Projects (AVRP) presented in this volume are the outcome of eight seasons of intensive fieldwork (1995-2002) representing the first phase of a long-range, broadly-based archaeological investigation in the Hatay region of southern Turkey. From its inception the research was conceived as a series of coordinated field projects. The detailed and expansive scope of the regional project originated from a number of theoretical and methodological considerations. Encouraged in part by its potential for providing the examination of interactions between technological developments, complex social institutions, natural resources, and the environment, the original O...
