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The Outrun
NOW A MAJOR FILM STARRING SAOIRSE RONAN WITH A NEW AFTERWORD FROM THE AUTHOR THE SUNDAY TIMES TOP TEN BESTSELLER WINNER OF THE PEN ACKERLEY PRIZE AND THE WAINWRIGHT PRIZE After spending her twenties in London, Amy Liptrot returns to her home in Orkney where she comes to terms with the addiction that has consumed the past decade of her life. On the remote island, Amy spends her mornings swimming in the cold sea, her days observing wildlife, and her nights searching the sky for any signs of the Northern Lights. She soon discovers how the natural world can restore life, heal old wounds and renew hope.
The Instant
THE SUNDAY TIMES BESTSELLER SHORTLISTED FOR THE WAINWRIGHT PRIZE FOR NATURE WRITING Wishing to leave behind the isolation of her Orkney island life, Amy Liptrot books a one-way flight to Berlin. She rents a loftbed in a shared flat and starts to look for work – and for love – through the screen of her phone. The Instant tells of the momentous year that follows, encountering the city’s wildlife in the most unexpected places, tracing the cycles of the moon, the flight paths of migratory birds and surrendering to the addictive power of love and lust.
Ecocriticism and the Island
Islands have long been the subject of cultural fascination, but in recent decades, they have exerted an increasingly powerful centrifugal force, sending writers to the outer edges of the British-Irish archipelago in search of inspiration and insight. Drawing on contemporary ecocritical approaches, island studies, and emergent archipelagic perspectives, Ecocriticism and the Island explores a wide selection of island-themed creative non-fiction. Through a combination of textual analysis, and, where possible, original interviews and archival research, Pippa Marland offers new insights into the work of Tim Robinson, Brenda Chamberlain, Christine Evans, W.G. Sebald, Stephen Watts, Amy Liptrot, Ka...
Life Writing in the Posthuman Anthropocene
Life Writing in the Posthuman Anthropocene is a timely collection of insightful contributions that negotiate how the genre of life writing, traditionally tied to the human perspective and thus anthropocentric qua definition, can provide adequate perspectives for an age of ecological disasters and global climate change. The volume’s eight chapters illustrate the aptness of life writing and life writing studies to critically reevaluate the role of “the human” vis-à-vis non-human others while remaining mindful of persisting inequalities between humans regarding who causes and who suffers damage in the Anthropocene age. The authors in this collection not only expand the toolbox of life writing studies by engaging with critical insights from the fields of posthumanism and ecocriticism, but, in turn, also enrich those fields by offering unique approaches to contemplate the responsibility of humans for as well as their relational existence in the posthuman Anthropocene.
Take Me to the River
Immerse yourself in an ocean of great literature. Gasp at the cold with Amy Liptrot. Be transfixed by Iris Murdoch's monster rising from the waves. Learn how to swim like the frogs with John Muir. Come on, dive in. A selection of joyful, immersive and life-affirming writing about wild swimming. From gentle dips in calm waters to fights for survival in stormy seas. From the erotic charge of a streamlined body to moments of revelation amidst the waves . . . Take Me to the River is an anthology not just of wild swimming writing, but of stories of how a jump into deep waters can change us. Open water swimming plays a pivotal role in many great narratives, taking us on an immersive journey, from Homer's Odyssey to contemporary poetry and memoirs. There is adventure here and aquatic playfulness. Grief and anguish, too; heartbreaks displaced and healed by watery spaces. Love and desire spark between characters at the edge of the water, as does freedom from constraint and the glorious energy of possibility and hope. Take Me to the River entices with a dip into the deep sea of words. Slide in.
Scottish Writing After Devolution
A provisional re-mapping of Scotland's post-devolution literary culture, these fifteen essays explore how literature, theatre and visual art have both shaped and reflected the 'new Scotland' promised by parliamentary devolution. Chapters explore leading figures such as Alasdair Gray, David Greig, Kathleen Jamie and Jackie Kay, while also paying particular attention to women's writing by Kate Atkinson, A. L. Kennedy, Denise Mina, Ali Smith, Louise Welsh, and writers of colour such as Bashabi Fraser, Annie George, Tendai Huchu, Chin Li and Raman Mundair. Tracing continuities with 1990s debates alongside 'edges of the new' visible since Indyref 2014, these critics offer an in-depth study of Scotland's vibrant literary production in the period of devolution, viewed both within and beyond the frame of national representation.
Writing Wild
"Re-centers and gives voice to a diversity of women naturalists and writers across time." —Cultivating Place In Writing Wild, Kathryn Aalto celebrates 25 women whose influential writing helps deepen our connection to and understanding of the natural world. These inspiring wordsmiths are scholars, spiritual seekers, conservationists, scientists, novelists, and explorers. They defy easy categorization, yet they all share a bold authenticity that makes their work both distinct and universal. Part travel essay, literary biography, and cultural history, Writing Wild ventures into the landscapes and lives of extraordinary writers and encourages a new generation of women to pick up their pens, head outdoors, and start writing wild.
Nelle isole estreme
RITROVARE SE STESSI NEL CUORE DELLA NATURA PIU’ IMPERVIA Dopo dieci anni di lontananza, Amy Liptrot torna alle Orcadi, il paesaggio della sua infanzia e della sua adolescenza, dove è cresciuta libera in una fattoria tra pecore, uccelli marini, mare a perdita d’occhio, isole reali e fantasma, leggende popolari e, soprattutto, un vento impetuoso e una natura indomita. Come molti ragazzi della sua generazione, a diciott’anni ha sentito il richiamo della grande città con il suo fermento, ma il periodo trascorso a Londra è stato caratterizzato dall’impulso a provare le emozioni più estreme. Feste, concerti, alcol, droghe… una spirale inarrestabile che diventa dipendenza, finché Amy...
Kaapse bibliotekaris
Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-
Twelve Moons: A year under a shared sky
TWELVE MOONS follows a year spent caught between the wild sea and the changing moon of the wide Northumberland skies.
