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Look Back, Look Ahead
Poetry. Bilingual Edition. Translated from the Slovenian by Barbara Siegel Carlson and Ana Jelnikar. LOOK BACK, LOOK AHEAD is the first American edition of Kosovel's selected poetry. "To read him is like watching Van Gogh's last paintings, to stare at Celan's last drops of life. And yet, he's the threshold, the triumphal arch to this small nation's destiny, the eternal poet of the total existence"--Tomaz Salamun.
The Book for My Brother
Comes back to remind us of the laws and experiences of childhood-""Once again you are let loose in the sea""only after five o'clock in the afternoon to take""a dose of sunlight like the ticking of the clock." At once daring and clear-voiced, The Book for My Brother is an extraordinary achievement.
There's the Hand and There's the Arid Chair
Poetry. Poems born in "a time of abrupt needs," this collection catalogs those individual and imperative fancies that, in the cosmos of Tomaz Salamun, eternity aims to replace: A genealogy of dressmakers and songbirds. A biography that locates the poetic "I" as, at once, a primordial being and a tamer of beasts, a monster and a guardian angel. With uncanny and sometimes harrowing grace, Salamun plumbs every reach of the imagination in search of a space where we can delight in and mourn the disintegration of the body. The nine translators who collaborated to bring out this new book by a "major Central European poet" (The New Yorker) include Thomas Kane, Peter Richards, Phillis Levin, Joshua Beckman, Ana Jelnikar, Christopher Merrill, Matthew Rohrer, Brian Henry, and Anselm Hollo.
Gitanjali
Described by Rabindranath Tagore as 'revelations of my true self', the poems and songs of Gitanjali established the writer's literary talent worldwide. They include eloquent sonnets such as the famous 'Where the mind is without fear', intense explorations of love, faith and nature ('Light, oh where is the light?') and tender evocations of childhood ('When my play was with thee'). In this new translation to mark Tagore's one-hundred-and-fiftieth birth anniversary, William Radice renders with beauty and precision the poetic rhythm and intensity of the Bengali originals. In his arrangement of Tagore's original sequence of poems alongside his translations, Radice restores to Gitanjali the structure, style and conception that were hidden by W. B. Yeats's edition of 1912, making this book a magnificent addition to the Tagore library.
Walking as Embodied Research
In recent years, walking has emerged as a methodological tool and as a conceptually exciting point of departure across a range of disciplines and practices. This volume explores walking as a form of embodied research practice that offers fresh perspectives on key contemporary debates and areas of interest. These include the climate emergency and the debate around the Anthropocene, decolonial thinking and the struggle for social justice, feminist and queer walking methodologies, and the notion of the ‘infraordinary’ and practices of everyday life. Contributions to this volume are by scholars, artists and practitioners drawn from a wide range of disciplines and fields, and from across the ...
Mediating Spaces
Throughout the twentieth century in the lands of Yugoslavia, socialists embarked on multiple projects of supranational unification. Sensitive to the vulnerability of small nations in a world of great powers, they pursued political sovereignty, economic development, and cultural modernization at a scale between the national and the global – from regional strategies of Balkan federalism to continental visions of European integration to the internationalist ambitions of the Non-Aligned Movement. In Mediating Spaces James Robertson offers an intellectual history of the diverse supranational politics of Yugoslav socialism, beginning with its birth in the 1870s and concluding with its violent co...
Harvard Review
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Universalist Hopes in India and Europe
In 1913, Rabindranath Tagore received the Nobel Prize in Literature. World famous overnight, he was translated into numerous languages. Meanwhile, in Slovenia, a young, still anonymous poet felt strongly drawn to the newly available works of the Indian bard. This young man was Srečko Kosovel, who is today hailed as Slovenia’s leading avant-garde poet of the interwar period. But what could Kosovel, then barely out of his teens, have in common with a figure of Tagore’s stature? Deeply affected by Italy’s conquest of parts of Slovene-populated territory, Kosovel was able to identify with Tagore and relate to the historical predicament of colonial subjugation. Despite coming from differen...
