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The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575-1655)
The seventeenth century was a time of exceptional mobility for Netherlandish artists. This mobility had a profound impact on artistic developments, stimulating innovation and creativity in the Netherlands as well as abroad. Whereas most artists undertook a relatively short study trip, others decided to settle down and shape their life in a new environment. This study traces the integration process — as artists and as migrants in general — of Aert Mytens, Louis Finson, Abraham Vinck, Hendrick De Somer and Matthias Stom in Naples between 1575 and 1655. Departing from the idea that the experience of every migrant is specific to their background and skills, The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575-1655) examines the challenges each of these five artists faced, the choices they made and the opportunities they grasped. The dynamics of art and society in Naples, the bustling capital of the Spanish viceroyalty, forms the context for their lives and careers.
Painters’ Playbooks in the Art Market of Early Modern Amsterdam
The art market in seventeenth-century Amsterdam is renowned as a competitive, multi-layered arena where diverse artists catered to a broad and varied clientele. How did this intricate market function? How did individual painters navigate this system, making business and artistic decisions that eventually gave shape to the so-called ‘Golden Age’ of Dutch art? Existing economic and art historical methodologies have fallen short of providing holistic explanations. Painters’ Playbooks introduces an innovative socio-spatial approach, using digital methods to examine the art market, shedding light on the artistic development in seventeenth-century Amsterdam. By synthesizing various historical sources digitally, this book delves into artists’ collective behaviours – or the ‘playbooks’ – discernible in their location choices, social relations, and use of house interiors. Analysing historical data through a socio-spatial lens, this book illustrates how the changes in artists’ playbooks not only shaped the multi-layered market structure but also influenced artistic innovation in seventeenth-century Amsterdam.
Art Markets, Agents and Collectors
Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, which sets out the art market in the period concerned and the ways in which agents functioned. This book is an invaluable tool for those needing a broader introduction to the intricate workings of the art market.
The Mass Market for History Paintings in Seventeenth-Century Amsterdam
Millions of paintings were produced in the Dutch Republic. The works that we currently know and see in museums constitute only the tip of the iceberg-the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies is usually linked to high prices, famous painters and elite buyers. Angela Jager analyses the producers, suppliers and consumers active in this segment to gain insight in this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why? Bron: Flaptekst, uitgeversinformatie.
Technological Innovation, Supply Chain Trade, and Workers in a Globalized World
This report takes stock of the evolution of global value chains (GVCs) in light of technological developments, such as robotics, big data and the Internet of Things. It discusses how these technologies are reshaping GVCs and examines the effect of these changes on labor markets in developed and developing economies and on supply chain management. The report discusses how technological developments are creating new opportunities for the participation of small and medium-sized enterprises in global value chains and reviews issues related to GVC measurement. The report is a follow-up to the first Global Value Chain Development Report, which revealed the changing nature of international trade when analyzed in terms of value chains and value-added trade.[Resumen de editor]
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