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Architecture and Landscape in Medieval Anatolia, 1100-1500
Anatolia was home to a large number of polities in the medieval period. Given its location at the geographical and chronological juncture between Byzantines and the Ottomans, its story tends to be read through the Seljuk experience. This obscures the multiple experiences and spaces of Anatolia under the Byzantine empire, Turko-Muslim dynasties contemporary to the Seljuks, the Mongol Ilkhanids, and the various beyliks of eastern and western Anatolia. This book looks beyond political structures and towards a reconsideration of the interactions between the rural and the urban; an analysis of the relationships between architecture, culture and power; and an examination of the region's multiple g...
Sacred Scripture / Sacred Space
Thirteen papers on different subjects, focussing on writings and inscriptions in medieval art, explore the faculty of writing to create and determine spaces and to generate the sacred by the display of holy scripture. The subjects range from book illumination over wall painting, mosaics, sculpture, and church interiors to inscriptions on portals and façades.
The ^AArt of Armenia
The Art of Armenia^B offers a sweeping survey of the arts of Armenia from antiquity to the eighteenth century C.E., addressing a range of media including architecture, sculpture, works in metal, wood, and ivory, manuscript illumination, and ceramic arts.
The Glory of Byzantium and Early Christendom
A celebration of 300 of the finest works of art and expressions of the Christian faith from the millennium between the end of the Roman Empire and the beginning of the Renaissance. Chronologically arranged, each work of art is placed in its social, religious and political context, creating a book for dipping into, as well as an inspiring, authoritative appraisal for this magnificent millennium of artistic culture.
Tamta's World
The compelling story of a thirteenth-century Christian noblewoman ransomed to the family of Saladin, made a ruler by the Mongols, and with extraordinary connections across continents and cultures from the Mediterranean to Mongolia. This book will be important for students and scholars of Byzantine, Crusader and Islamic history, art and architecture.
Royal Imagery in Medieval Georgia
Initially, the book traces the production and interpretation of royal imagery over three centuries, from the revival of the Georgian monarchy in the ninth century to its culmination in the reign of Queen Tamar (1184-1213) on the eve of the Mongolian invasions. Specifically, the book concentrates on the five surviving images of Queen Tamar. These portraits provide untapped evidence of the ways in which artistic traditions were transformed by the need to legitimize the accession of a woman to power. Eastmond also challenges the typically held view that the role of patronage in the functioning and development of royal imagery was centrally controlled. He proposes instead that it was manipulated by members of the court to promote both local and royal interests.
Studies in Medieval Georgian Historiography
Original literature first appeared among the indigenous population of Caucasia in the fifth century AD as a consequence of its Christianization. Though a number of Armenian histories were composed at this time, several centuries elapsed before the Georgians created their own. But how many centuries? Through a meticulous investigation of internal textual criteria, Studies in Medieval Georgian Historiography challenges the traditional eleventh-century dating of the oldest Georgian narrative histories and probes their interrelationships. Illuminating Caucasia's status as a cultural crossroads, it reveals the myriad Eurasian influences - written and oral, Christian and non-Christian - on these "...
Armenia
At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongol...
Monotheistic Kingship
This volume of essays intends to present diverse aspects of monotheistic kingship during the Middle Ages in two general-theoretical articles and a series of "case studies" on the relationship of religion and rulership. The authors discuss examples of the role of religion--based on both textual and iconic evidence--in Carolingian, Ottonian and late medieval western Europe; in Byzantium and Armenia; Georgia; Hungary; the Khazar Khanatel; Poland, and Russia. Two studies explore the issue in medieval Jewish and Islamic political thought. The editors hope that these special inquiries will engender more comparative studies on the subject.
