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Persian Pottery in the First Global Age
Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries studies the ceramic industry of Iran in the Safavid period (1501–1732) and the impact which the influx of Chinese blue-and-white porcelain, heightened by the activities of the English and Dutch East Indies Companies after c. 1700, had on local production. The multidisciplinary approach of the authors (Lisa Golombek, Robert B. Mason, Patricia Proctor, Eileen Reilly) leads to a reconstruction of the narrative about Safavid pottery and revises commonly accepted notions. The book includes easily accessible reference charts to assist in dating and provenancing Safavid pottery on the basis of diagnostic motifs, potters’ marks, petrofabrics, shapes, and Chinese models.
Iran After the Mongols
Following the devastating Mongol conquest of Baghdad in 1258, the domination of the Abbasids declined leading to successor polities, chiefly among them the Ilkhanate in Greater Iran, Iraq and the Caucasus. Iranian cultural identities were reinstated within the lands that make up today's Iran, including the area of greater Khorasan. The Persian language gained unprecedented currency over Arabic and new buildings and manuscripts were produced for princely patrons with aspirations to don the Iranian crown of kingship. This new volume in “The Idea of Iran” series follows the complexities surrounding the cultural reinvention of Iran after the Mongol invasions, but the book is unique capturing...
The Legacy of Genghis Khan
Komaroff (curator of Islamic Art, Los Angeles County Museum of Art) and Carboni (curator of Islamic Art, Metropolitan Museum of Art) produced this fine catalog to accompany a major show of Ilkhanid (as the Mongol dynasty was called after conversion to Islam) art exhibited at the authors' museums in New York and Los Angeles in 2002-2003. Most of the manuscripts, metalwork, textiles, ceramics, and other finely decorated objects were created in Iran. Many objects are also included from the Yuan Dynasty in China, during which the Mongols ruled. Eight full-length essays are built around the objects of the exhibition and other works, all depicted in color. The essays describe the history, culture, courtly life, artistic exchanges, religious art, arts of the book, and creation of a new visual language. Distributed by Yale U. Press. Annotation copyrighted by Book News, Inc., Portland, OR
Architecture and Art of the Deccan Sultanates
The Muslim kingdoms of the Deccan plateau flourished from the fourteenth to eighteenth centuries. During this period, the Deccan sultans built palaces, mosques and tombs, and patronised artists who produced paintings and decorative objects. Many of these buildings and works of art still survive as testimony to the sophisticated techniques of their craftsmen. This volume is the first to offer an overall survey of these architectural and artistic traditions and to place them within their historical context. The links which existed between the Deccan and the Middle East, for example, are discernible in Deccani architecture and paintings, and a remarkable collection of photographs, many of which have never been published before, testify to these influences. The book will be a source of inspiration to all those interested in the rich and diverse culture of India, as well as to those concerned with the artistic heritage of the Middle East.
The Routledge Companion to Global Renaissance Art
This companion examines the global Renaissance through object-based case studies of artistic production from Africa, Asia, the Americas, and Europe in the early modern period. The international group of contributors take an art historical approach characterized by close analysis of form and meaning as well as function, and a focus on questions of crosscultural dialogue and adaptation. Seeking to de-emphasize the traditional focus on Europe, this book is a critical guide to the literature and the state of the field. Chapters outline new questions and agendas while pushing beyond familiar material. Main themes include workshops, the migrations of artists, objects, technologies, diplomatic gift...
Timurid Art and Culture
The nineteen papers collected in this volume were delivered at a symposium held in Toronto, November 1989 in order to discuss the art and culture of Timurid times. The papers cover the last decades of the fourteenth century and the whole of the fifteenth, in an area of western Asia extending roughly from the Euphrates to the Hindu Kush and to the Altai. Among the subjects covered were: 'Discourses of an Imaginary Arts Council in Fifteenth-Century Iran'; 'The Persian Court between Palace and Tent: From Timur to ‘Abbas I'; 'Turkmen Princes and Religious Dignitaries: A Sketch in Group Profiles'; 'Craftsmen and Guild Life in Samarkand'; 'The Baburnama and the Tarikh-i Rashidi: Their Mutual Relationship'; 'Geometric Design in Timurid/Turkmen Architectural Practice: Thoughts on a Recently Discovered Scroll and Its Late Gothic Parallels' and 'Repetition of Compositions in Manuscripts: The Khamsa of Nizami in Leningrad.
Venice and the Islamic World, 828-1797
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinatin...
