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Poverty and precarity are among the most pressing social issues of today and have become a significant thematic focus and analytical tool in the humanities in the last two decades. This volume brings together an international group of scholars who investigate conceptualisations of poverty and precarity from the perspective of literary and cultural studies as well as linguistics. Analysing literature, visual arts and news media from across the postcolonial world, they aim at exploring the frameworks of representation that impact affective and ethical responses to disenfranchised groups and precarious subjects. Case studies focus on intersections between precarity and race, class, and gender, institutional frameworks of publishing, environmental precarity, and the framing of refugees and migrants as precarious subjects. Contributors: Clelia Clini, Geoffrey V. Davis, Dorothee Klein, Sue Kossew, Maryam Mirza, Anna Lienen, Julia Hoydis, Susan Nalugwa Kiguli, Sule Emmanuel Egya, Malcolm Sen, Jan Rupp, J.U. Jacobs, Julian Wacker, Andreas Musolff, Janet M. Wilson
A transdisciplinary study of the ways in which mobilities assume social forms and result in multiple belongings. In Decolonial Imaginings, Avtar Brah offers a transdisciplinary study of the ways in which mobilities assume social forms and result in multiple belongings. Situated within the confluence of decolonial feminist theory, border theory, and diaspora studies, the book explores borders and boundaries and how politics of connectivity are produced in and through struggles over “difference.” Brah examines multiple formations of power embedded in the intersections between gender, race, class, ethnicity, and sexuality. She analyzes this intersectionality in relation to diaspora; theoriz...
Drawing from a rich corpus of British cultural production and postcolonial theory, this book positions Brexit in the historical nexus of colonialism, colonial nostalgia, and the rise of narcissistic nationalism in contemporary Europe. This collection moves away from existing literary discourses framing Brexit as a 'novel' event that ushered in a new genre of British fiction. It challenges the hackneyed public discourses that depict the results of the 2016 Referendum as the catalyst of regional instability as well as sociopolitical emergency in Europe. This book traces and critiques populist myth-making in the current United Kingdom through engagement with a wide range of literary and cultura...
Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity.
This book explores the meaning and practice of empowering methodologies in organisational and social research. In a context of global academic precarity, this volume explores why empowering research is urgently needed. It discusses the situatedness of knowing and knowledge in the context of core-periphery relations between the global North and South. The book considers the sensory, affective, embodied practice of empowering research, which involves listening, seeing, moving and feeling, to facilitate a more diverse, creative and crafty repertoire of research possibilities. The essays in this volume examine crucial themes including: · How to decolonise management knowledge · Using imaginati...
India's Imperial Formations explores the ways in which empire building occurs and consolidates through the Indian and diasporic cultural landscape, where a collusion with whiteness, Hindu fundamentalism, casteism, and religious and racial bigotry are rampant, and create hegemonic imaginaries of an India that denies a democratic space of multiple Indias to coexist together. India is not only home to the world's largest film industry but also has one of the oldest media ecosystems today with a prolific output in television, radio, print, and digital media. These systems shape hearts and minds in the large nation and also have significant impact in the region as well as in the world due to Indi...
Bollywood ne se résume pas à une gigantesque fabrique filmique, c'est aussi le lieu où sest forgée, en images, en musique et en chorégraphies une certaine idée de lInde. La dimension "industries culturelles", qui combine histoire, économie, sociologie et approche esthétique des images, permet ici dopérer une plongée en profondeur dans la société indienne et de décrypter le rapport qelle entretient avec le reste du monde. Notre objectif est donc de dépasser létude stricto sensu dun répertoire cinématographique pour embrasser les divers aspects qui fondent et font évoluer la Mecque du cinéma indien. Bollywood pluriel décline ses industries créatives dans un contexte nouveau de globalisation. Produisant depuis des décennies un cinéma dauteur et de divertissement populaire, des séries télévisées, des films danimation et des documentaires, Bollywood est capable dabsorber les courants culturels venus dailleurs.
This edited volume looks at the ways in which films, literature, photography and social media construct images of homelands and diasporas as well as the ways in which they facilitate exchanges between them. The volume presents with a dialogue between these representations and analyses how they are constructed, disseminated, appropriated and/or challenged in relation to recent political developments in South Asia and in the diaspora. Focusing on images and narratives about South Asia and its diaspora, the book aims to re-centre the political nature of representations, as it addresses the interplay between representation, imagination and identity, with a specific focus on the South Asian diasporic experience. This book will interest students and scholars of media, communication, popular culture, cultural studies, Asian studies, politics and sociology. The chapters in this book were originally published as a special issue of South Asian Diaspora.
Conceived at the unique, intersecting moment of commemoration of 1947 Partition of British India, 1971 Bangladesh independence, and 1972 exodus from Uganda, this book focuses on the entangled memories of Partition and its associated events in the diaspora. The chapters in this book explore the cultural and social significance of diasporic memorialisation done in reference to Partition, as it overlaps with the commemoration of key historical moments of change for the South Asian diaspora. Bringing together scholars based in Bangladesh, India, and the UK and working within memory studies, history, ethnomusicology, sound studies, literature, film studies, postcolonial studies and media and comm...