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The world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha discusses the potentials and impact of new technology on cinema culture and explores its effects on creative practice.
Changing Heritage presents the most comprehensive analysis of heritage issues available today. Critically analysing the complexity of the current and forthcoming issues faced by heritage, it presents insightful directions for the future. Drawing on the author’s many years of experience working in senior positions at UNESCO, the book presents discussions of heritage sites all around the world. Today, our cultural and natural legacies face significant threats due to social and economic developments, political pressures, and unresolved historical issues. This book delves into these threats from two distinct perspectives: internal tensions and external pressures. The internal tensions include ...
The first anthology of texts on the luminary contemporary artist David Hammons. David Hammons is a collection of essays on the one of the most important living Black artists of our time, David Hammons (b. 1943). Documenting five decades of visual practice from 1982 to the present, the book features contributions from scholars, artists, and cultural workers, and includes numerous images of the artist and his work that are not widely available. Contributions include essays from cultural critics including Guy Trebay and Greg Tate; artists Coco Fusco and Glenn Ligon; and scholars such as Robert Farris Thompson, Alex Alberro, and Manthia Diawara. A star of the West Coast Black Arts Movement in th...
Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six majo...
The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its vis...
This latest work by the London-based French/Algerian artist Zineb Sedira is a series of photographs and a two-screen video projection, shot in and around the port of Algiers The exhibition contrasts Sedira?s re-encounter with the sights and sounds of Algiers with an awareness that while she, like other people from France, is enjoying her return to the city, some of its other residents, disenchanted young men in particular, often dream of escape across the water to Europe. The title Saphir (French for sapphire) reflects this, evoking not only the pure maritime light typical of Algiers, but also those flickering glimmers on the horizon that symbolise people?s dreams and aspirations. In Arabic, the word safir also means ambassador? a person who travels between different places, the representative of one country on the soil of another.
Contemporary art through the lens of African-American artists: Adrian Piper, David Hammons, Renee Green, Faith Ringgold, Senga Nengudi, Pat Ward Williams, Lorraine O'Grady, Carrie Mae Weems, Lorna Simpson, Fred Wilson, Dany Tisdale, June Clark and Gary Simmons. In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today. Combining a historical study with probing critical analysis, Black is a Color depicts an America marked indelibly by its slavery past, out of which Afro-American contemporary artists have been able to build a singular ...
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"In these essays, the authors consider the importance given today to the research for new narrative modes in artistic practices (whether in visual arts, cinema or literature).
La colección de "New Media" del Centro George Pompidou comprende alrededor de 1.000 cintas de video y bandas sonoras y 80 instalaciones audiovisuales.