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Worlding and Storying Forced Displacement
The question of how refugees are to be hosted and represented in Europe is not only an urgent one but a persistent one. Drawing on art history, migration studies and postmigration studies, Anne Ring Petersen examines contemporary artistic representations of forced displacement. She argues that artistic and curatorial practices can help foster cultural citizenship among refugees and asylum seekers as well as deepening the understanding of refugeedom in host countries through art’s worldmaking and storytelling capacities. Focusing on Denmark, and including a chapter on Palestine, this study adds new perspectives to postmigration studies and a pioneering exploration of understudied material to art history.
German-Speaking Jewish Refugees in Asia, 1930–1950
Although most perished, hundreds of thousands of Central European Jews escaped the Holocaust; tens of thousands of these Jewish refugees ended up in East Asia, Southeast Asia, or South Asia. Taking a global and transnational approach, this volume examines the cultural, political, and socioeconomic encounters among and between Asian and European states and empires, Central European Jews, and Asians between 1930 and 1950, offering important case studies that address the policies toward and experiences of German-speaking Jews across East Asia, Southeast Asia, and South Asia. The strength of this volume lies not only in its efforts to include multiple theoretical perspectives, which integrate Ge...
London Exile
In the 1930s and 1940s, London was a metropolis of artistic exile and a place of refuge from Nazi persecution. London Exile is the first book to look at the British capital as a sanctuary for modern artists. The city presented its new arrivals with opportunities and challenges: exiles established galleries, founded publishing houses and magazines, collaborated with local artists, organised exhibitions, published their work, and built networks. Artistic and theoretical production flourished in close dialogue with urban space. This volume sheds light on how the arrival of exiles transformed London’s art scene and, conversely, how the experience of displacement and the city shaped the work of émigrés in fields such as art, architecture, and photography. London Exile brings art history, urban studies, and exile studies into a vibrant dialogue and contributes to a new understanding of the history of modern art.
Performing Modernity
An exploration of modernism's influence on the bohemian and counter-cultural movements in theatre, popular culture and design in the post-independent Irish Free State (1922-1937).
Collecting Asian Art
Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed. Col...
Postmigration, Transculturality and the Transversal Politics of Art
This is the first book to develop a postmigrant analytical perspective for the study of art, concentrating on how postmigration reopens the study of contemporary art and migration. The book introduces art historians and other scholars with a methodological interest in cultural analysis to the innovative concept of postmigration, offering a comprehensive introduction to the various meanings and uses of the term as well as translating it methodologically to an art historical context. The book analyses art projects from Denmark, Germany and Great Britain, which address some of the current challenges to European societies of immigration, and by drawing on theory from fields such as migration stu...
Contact Zones
Since the mid-nineteenth century photography has played a central role in cultural encounters within and between migrant communities in the United States. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘contact zones’ through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography’s role in shaping migrant experiences of cultural transformation, and how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.
Urban Exile
Fresh perspectives on a relevant topic: the ways experiences of exile shape cities. Migration has transformed urban spaces around the world as new residents form communities, neighborhoods, and art spaces, changing perceptions of these cityscapes among migrants and locals alike. Yet exile research rarely adopts an urban perspective. Urban Exile fills this gap, anthologizing research on exile, cities, and modernities with a focus on the first half of the twentieth century. Drawing on examples from a wide range of urban centers in both the Global North and South, contributors from various disciplines share novel approaches and research practices for investigating how exile and urbanity intertw...
Arrival Cities
Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six majo...
