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The Eiffel Tower
When it opened in 1889 Parisians were appalled by the "useless and monstrous" tower Gustave Eiffel planted in the heart of their beloved city. That enmity, however, was short-lived. "The Eiffel Tower" is a pictorial study of the great structure by acclaimed architectural photographer Lucienne Herve, whose ethereal images convey the balance between the tower's elegant ironwork and its sheer physical force.
Henri Loyrette
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Sea Currents in Nineteenth-Century Art, Science and Culture
How did scientists, artists, designers, manufacturers and amateur enthusiasts experience and value the sea and its products? Examining the commoditization of the ocean world during the nineteenth century, this book demonstrates how the transaction of oceanic objects inspired a multifaceted material discourse stemming from scientific exploration, colonial expansion, industrialization, and the rise of middle-class leisure. From the seashore to the seabed, marine organisms and environments, made tangible through processing and representational technologies, captivated practitioners and audiences. Combining essays and case studies by scholars, curators, and scientists, Sea Currents investigates the collecting and display, illustration and ornamentation, and trade and consumption of marine flora and fauna, analysing their material, aesthetic and commercial dimensions. Traversing global art history, the history of science, empire studies, anthropology, ecocriticism and material culture, this book surveys the currency of marine matter embedded in the economies and ecologies of a modernizing ocean world.
The Annenberg Collection
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Ingres and the Studio
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Mapping Degas
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas’s approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas is thought about today.
Edgar Degas, Photographer
Degas's major surviving photographs, little known even among devotees of the artist's paintings and pastels, are analyzed and reproduced for the first time in this volume, which accompanies an exhibition at The Metropolitan Muscum of Art, The J. Paul Getty Museum, and the Bibliotheque Nationale de France.
Ahae
April 2014: A ship sinks in South Korea, killing nearly 300 people. 2013: A Korean amateur photographer exhibits in Versailles. August 1987: 32 members of the Korean Odaeyang sect are found dead. The link between these facts? It was Bernard Hasquenoph who discovered it. Intrigued by the success of Ahae, the pseudonym of the amateur photographer, he leads the investigation and is the first to reveal the true identity of the Korean artist, billionaire and patron of the arts, entrepreneur and guru, with a vast and well-established network of influence. And the further he investigated, the more obscure and unbelievable the revelations became. Through the portrait of one man, we plunge into a mafia world with unexpected ramifications, such as international cultural patronage, which brings into question the value of art and the probity of those in charge of it. Bernard Hasquenoph is a journalist and creator of the museum blog Louvre pour tous. He campaigns for wider access to culture and denounces the commercial drift of public cultural institutions.
Louvre with View
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Manet/Degas
Friends, rivals, and at times antagonists, Édouard Manet and Edgar Degas maintained a pictorial dialogue throughout their lives as they both worked to define the painting of modern urban life. Manet/Degas, the first book to consider their careers in parallel, investigates how their objectives overlapped, diverged, and shaped each other’s artistic choices. Enlivened by archival correspondence and records of firsthand accounts, essays by American and French scholars take a fresh look at the artists’ family relationships, literary friendships, and interconnected social and intellectual circles in Paris; explore their complex depictions of race and class; discuss their political views in th...
