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In this book, Husain Sarkar offers a remarkable look into the groundwork of virtue ethics. Especially focusing on theories proposed by Julia Annas and Rosalind Hursthouse, he examines a multiplicity of cardinal tenets of virtue ethics by bringing five cardinal objections – namely, the self-defeating objection, the circularity objection, the moral relativism objection, the explanatory poverty objection, and the inconsistent advice objection – to bear upon them. These objections define the shape, scope, and substance of the book. Collectively, they unveil several fault lines, a few hitherto unsuspected. Sarkar argues that notwithstanding the novel, intriguing answers to old, familiar ethical questions, the answers are so fraught with difficulties, that virtue ethics – as a philosophical moral tradition – is best seen as badly in need of repair and reformation. Perhaps, this book may provoke a Renaissance in the field of virtue ethics.
Salvador Dalí sublimated his madness without ever falling into it. Antonin Artaud, confronted with the traumas of childhood, oscillated all his life between an overflowing creation and accesses of madness. Niki de Saint Phalle, thanks to artistic expression, cured herself of a deep depression linked to the trauma of incest. Vincent van Gogh, in order to reach the summit of his art, put himself in danger to the point of committing suicide. Camille Claudel exhausted herself in her creation and ended up being interned and never creating again. Based on the life and work of a dozen artists of genius, Thierry Delcourt tries to understand these artists’ transition from the summits of creation a...
Published for more than 24 years, there is no substitute for the Worldwide Government Directory, which allows users to identify and reach 32,000 elected and appointed officials in 201 countries, plus the European Union. Extensive coverage that includes over 1,800 pages of executive, legislative and political branches; heads of state, ministers, deputies, secretaries and spokespersons as well as state agencies, diplomats and senior level defense officials. It also covers the leadership of more than 100 international organizations. World Government contact information that includes phone numbers and email. Listings include: Name, addresses, telephone and fax numbers, email and web addresses Titles Hierarchical arrangements defining state structures
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
This is a filmography, in two volumes, of not only all of the English-language movies made during the 1960s that had a U. S. theatrical release but major foreign films exhibited in the United States as well. The following information is provided for each film: year of release, nation of origin if other than the U.S., production or distribution company, black and white or color, running time, genre, production credits, cast and characters, and a brief synopsis. This turbulent decade is unusually interesting in the history of cinema. Those films released in the early part of the decade were similar to those of the 1950s, but as the years passed, the offerings changed in many ways.
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