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The Book as Art
Artists' books have emerged over the last 25 years as the quintessential contemporary art form, addressing subjects as diverse as poetry and politics, incorporating a full spectrum of artistic media and bookmaking methods, and taking every conceivable form. Female painters, sculptors, calligraphers, and printmakers, as well a growing community of hobbyists, have played a primary role in developing this new mode of artistic expression. The Book as Art presents more than 100 of the most engaging women's artist books created by major fine artists such as Meret Oppenheim, May Stevens, Kara Walker, and Renee Stout and distinguished book artists such as Susan King, Ruth Laxson, Claire Van Vliet, a...
The Collaborative Artist's Book
35th Modern Language Association Prize for Contingent Faculty and Independent Scholars, Honorable Mention The Collaborative Artist’s Book offers a rare glimpse into collaborations between poets and painters from 1945 to the present, and highlights how the artist’s book became a critical form for experimental American artists in the twentieth and twenty-first centuries. Alexandra Gold provides a broad overview of the artist’s book form and the many ongoing debates and challenges, from the disciplinary to the institutional, that these forms continue to pose. Gold presents five case studies and details not only how each individual collaboration came to be but how all five together engage and challenge conventional ideals about art, subjectivity, poetry, and interpersonal relations, as well as complex social questions related to gender and race. Taking several of these books out of special collections libraries and museum archives and making them available to a broad readership, Gold brings to light a whole genre that has been largely forgotten or neglected.
The Experimental Book Object
The Experimental Book Object shows why and how books matter in the 21st century. Digital and audio platforms are commonplace, and other fields of art beyond literature have increasingly embraced books and publication as their medium of choice. Nevertheless, the manifold book object persists and continues to inspire various types of experimentation. This volume sets forth an unprecedented approach where literary and media theory are entangled with design practitioners’ artistic research and process descriptions. By probing the paradigm of the codex, this collection of essays focuses on historical and contemporary experimentation that has challenged what books are and could be from the perspectives of materiality, mediation, and visual and typographic design. Investigations into less-studied areas and cases of performativity demonstrate what experimental books do by interacting with their systemic and cultural environments. The volume offers a multifaceted and multidisciplinary view of the book object, the book design and publishing processes, and their significance in the digital age.
World War I and American Art
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
Women Artists
This beautifully designed volume is an accessible, comprehensive treasure that spans art history from the Renaissance to the present, featuring eighty-six women artists from around the world. The book is divided into seven sections representing chronological and regional groupings. Each section contains an introductory essay that places the works in historical context to provide an overview of the social and political forces that shaped the eras and regions in which the works were created. Also included is a section on artists' books.
Art and Feminisms
Through an international cohort of contributors, this book examines the rich and diverse strands of artistic and cultural production from the nineteenth century to the present day that contribute to elastic and ever-expanding histories of feminist art. The contributions facilitate an understanding of the complex histories of feminist art, material, and cultural production for both new and inveterate students and scholars, while complicating feminist art’s canonization by engaging questions and issues of history-writing itself. An implicit concern throughout the volume is how feminist art history has both addressed and, at times, been complicit in its own systems of exclusion. Foregrounding...
An Oak Spring Flora
This is the latest volume in a major series that describes selections of the rare books, manuscripts, and other works of art held at Oak Spring Garden Library, a collection formed by Rachel Lambert Mellon. The 111 items chosen for this volume on floral illustration since the later Middle Ages include Books of Hours, still-life and vanitas paintings, botanical prints, and books of instruction of every kind, from planting a garden to making flowers using colored papers or wax. Lucia Tongiorgi Tomasi groups the works into chapters on such topics as florilegia, women artists, tulipomania, Dutch and Flemish painting, and exotic flowers from distant lands, providing an introduction to each chapter...
Book as Art
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Women Artists in the United States
Provides access to the art historical literature documenting the unique circumstances--social, historical, and ideological--from which women's art forms emerged. Includes the decorative or applied arts, contemporary crafts, folk art, and performance art ; feminist art criticism ; women's art organizations and galleries, artists organizations and galleries directory ; manuscript repositories and special collections ; biographical reference tools ; periodicals ; the literature of the field.
Gordon Conway
Gordon Conway became an illustrator for Vanity Fair at the age of twenty and an accomplished fashion artist. She went on to an illustrious career in design that encompassed publicity campaigns for Broadway musicals, costume and set designs for cabaret in Paris, and the management of the first autonomous costume department at a major British film studio. Throughout her career, Conway lived the life she portrayed in her art, combining a cafe and cabaret social life with hard work and a reputation for never missing deadlines. This record of Conway's career, drawn from extensive archival materials never before published, underscores the role that women played in creating the image of the flapper or New Woman of the 1920s, as well as the limits of their influence. This book will be important reading for everyone interested in fashion, design, film and stage history, and Jazz Age society.
