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Finishing in Architecture: Polishing, Completing, Ending explores the topic of finishing and the fascinating physical and metaphysical implications of its various conceptions in architecture. Finishing is essential to all human practices and concepts of time, yet simultaneously it is largely impossible to identify an entirely finished state of being. As mortals, we organize our worlds into beginnings and endings, starts and finishes. Architecture’s temporality, however, may contain something of both the mortal and immortal within it – a desire for permanence combined with lamentation over its impossibility. While many approaches to finishing construct two opposed ontological conditions (...
The competition for Pamphlet Architecture 32 centered on the theme of resilience. By addressing the capacity to cope, the ability to bounce back, and the mitigation and management of risk, participants were asked to showcase a fresh understanding of the architectural opportunities found in resilience. The winning entry successfully takes on the topic through an investigation of the ravaged city of Warsaw, Poland. By identifying, interrogating, and ultimately reinforcing both the physical and immaterial conditions of the landscape, the project allows the space to become something new and yet hold on to what it is, truly exhibiting resilience.
There is a newfound interest in architectural drawing. Some of the most forward-looking architects worldwide are reinventing it to discover the radical possibilities of contemporary architecture as a rich mix of the virtual and the actual. Architectural drawing is adapting to compensate for these new changes to the discipline, and is being used to speculate on new paradigms of space and representation. This AD seeks to showcase the architects who are pushing the envelope of drawing in extraordinary ways, and their insights into architecture’s future spatial dexterity. The issue is built around an international group of architects involved in an ongoing KU Leuven Faculty of Architecture int...
How the surge in aerial technologies, such as drones and satellites, influences visual culture beyond the screen. The smooth flight from aerial overview to intimate close-up in Martin Scorsese’s Hugo (2011) exemplifies the concept of proxistant vision: a combination of proximity and distance, close-up and overview, detail and the big picture, in a unified visual form. In Proxistant Vision, Synne Bull and Dragan Miletic develop the concept of proxistant vision and trace its emergence as a visual paradigm of the twenty-first century. As exemplified by Google Earth’s digital swipe between globe perspective and street-level detail, proxistant vision currently proliferates across digital geog...
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act ...
Urban Cartographies is simultaneously an architectural storybook and guide, leading the reader through a landscape of recoded urban elements, 'fields', conditions and texts. This journey documents a series of innovative architectural procedures, dealing with representation, chance, narrative and the 'urban imaginary'. Urban Cartographies features proposals for the cities of Ottawa, Canada and Venice, Italy, amongst others. The book is published inconjunctiion with an international touring exhibition of recent work by Dorrian and Hawker.
This volume examines the state of contemporary architecture worldwide and the ways in which it is caught between the art of display and the accommodation of use.
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In this volume, more than 20 leading scholars discuss the discipline, practice, historiography, and study of photography, from William Henry Fox Talbot to Louise Lawler, and reflect on the status of photography today.
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