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Mildred Budny Collection
A collection of programs and papers from symposiums and colloquiums that were held by the Research Group on Manuscript Evidence from 2013-2017 compiled by Mildred Budny, library patron and director of the Research Group on Manuscript Evidence.
Negotiating Community and Difference in Medieval Europe
This collection builds on the foundational work of Penelope D. Johnson, John Boswell's most influential student outside queer studies, on integration and segregation in medieval Christianity. It documents the multiple strategies by which medieval people constructed identities and, in the process, wove the boundaries of inclusion and exclusion among various individuals and groups. The collection adopts an interdisciplinary approach, encompassing historical, art historical, and literary perpsectives to explore the definition of personal and communal spaces within medieval texts, the complex negotiation of the relationship between devotee and saint in both the early and the later Middle Ages, t...
The Codex Amiatinus and its “Sister” Bibles: Scripture, Liturgy, and Art in the Milieu of the Venerable Bede
The Codex Amiatinus and its “Sister” Bibles examines the full Bibles (Bibles containing every scriptural text that producers deemed canonical) made at the northern English monastery of Wearmouth–Jarrow under Abbot Ceolfrith (d. 716) and the Venerable Bede (d. 735), and the religious, cultural, and intellectual circumstances of their production. The key manuscript witness of this monastery’s Bible-making enterprise is the Codex Amiatinus, a massive illustrated volume sent toward Rome in June 716, as a gift to St. Peter. Amiatinus is the oldest extant, largely intact Latin full Bible. Its survival is the critical reason that Ceolfrith’s Wearmouth–Jarrow has long been recognized as a pivotal center in the evolution of the design, structure, and contents of medieval biblical codices. See inside the book.
Holy Men and Holy Women
This is a collection of essays on the literature of "saints' lives" in Anglo-Saxon literature.
The Haskins Society Journal 22
The most up-to-date research in the period from the Anglo-Saxons to Angevins.This volume of the Haskins Society Journal continues its tradition of publishing the best historical and interdisciplinary research on the early and central middle ages in the Anglo-Saxon, Anglo-Norman, and Angevin worlds. The topics of the essays range from legal influences on Alfred's Mosaic Prologue, judicial processes in tenth-century Iberia, and the ecclesiology of the Norman Anonymous to the nature and implications of comital authority in the eleventh- and twelfth-century Anglo-Norman realm and conceptions of servitude in legal thinking in thirteenth-century Catalonia. The volume also embraces art history, wit...
Pen and Parchment
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Anglo-Saxon England: Volume 13
Anglo-Saxon England consistently embraces all the main aspects of study of Anglo-Saxon history and culture.
Old English Literature
This review of the critical reception of Old English literature from 1900 to the present moves beyond a focus on individual literary texts so as to survey the different schools, methods, and assumptions that have shaped the discipline. Examines the notable works and authors from the period, including Beowulf, the Venerable Bede, heroic poems, and devotional literature Reinforces key perspectives with excerpts from ten critical studies Addresses questions of medieval literacy, textuality, and orality, as well as style, gender, genre, and theme Embraces the interdisciplinary nature of the field with reference to historical studies, religious studies, anthropology, art history, and more
The Old English Version of Bede's Historia Ecclesiastica
Pioneering examination of the Old English version of Bede's Historia ecclesiastica and its reception in the middle ages, from a theoretically informed, multi-disciplinary perspective.
Naked Before God
At different times and in different places, the human form has been regarded in different ways. The Ancient Greeks thought it was the most admirable subject for art, whereas early Christians often viewed it as lascivious in our post-lapsarian state. With illustrations taken from manuscripts, statuary and literary, this is a fascinating collection of essays with much that will be new to scholars and general readers alike.
