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Think Like a Curator
Most history museums—large and small, indoor and outdoor—have a staff member with the title of curator, or at minimum, have tasks that can be classified as curator’s work. But, understanding what is involved in doing this work is more complicated than it seems. This book will help you to “think like a curator.” Written by an author who has spent 45 years doing this type of work at one of the largest history museums in the country, this book guides the reader through curatorial methodology in today’s world with topics that include: reading objects; shaping collections; engaging in rigorous research; the curatorial role in exhibitions and historic site interpretation; the basics of curatorial writing; and curators as leaders. It gives special focus to applying DEAI lenses, as well as aligning with institutional mission and goals, incorporating audience perspectives, and using conceptual and systems thinking. Both succinct and substantial, this book includes easy explanations, step-by-step process guides, practical tips, real-life examples, activities, and source lists.
Curatorial Voice
Curatorial Voice considers the act of curation from a scientific perspective. Questioning the role of curators, the actual act of curation, and the very sound of curatorial voice, Coleman works to dispel the stereotypes that have historically shrouded the work of curators in mystery. This book draws upon groundbreaking, collaborative research conducted in five national museums in the United States and includes the voices of a diverse range of curators, who reflect, in their own words, upon their role in the construction of curatorial voice. Explaining how the curators used the Curatorial Gatekeeping Mechanisms Chart, created in partnership with the author and included in this book, Coleman d...
MUSEUM CURATOR'S GUIDE
The Museum Curator's Guide' is practical reference book for emerging arts and heritage professionals working with a wide range of objects (including fine art, decorative arts, social history, ethnographic and archaeological collections), and explores the core work of the curator within a gallery or museum setting.0Commencing with a clear overview of and introduction to current material culture and museum studies theories, Nicola Pickering then discusses their practical application with collections. Illustrated with specific case studies, she considers the role of the curator, their duties, day-to-day work, interaction with and care or preservation of objects and the myriad ways objects can be catalogued, displayed, moved, arranged, stored, interpreted and explained in a present-day museum.0The Museum Curator's Guide represents an essential and lasting resource for all those working with the collection, preservation and presentation of objects, including students of collections management and curatorship; current gallery and museum professionals; and private collectors.
The Curator's Handbook
A step-by-step guide to every aspect of putting on an art exhibition, with tips from a range of influential curators The Curator’s Handbook is the essential handbook for curators and curatorial students, mapping every stage of the process of putting on an exhibition, no matter how traditional the venue, from initial idea to final installation. An introduction explores curatorial work from its origins in the seventeenth century onward and outlines the various roles of the curator today. Twelve chapters then trace the various stages of the exhibition process in clear, informative language and using helpful diagrams and tables, from developing the concept to writing contracts and loan request...
Annual Report of the Board of Regents of the Smithsonian Institution
Reports for 1884-1886/87 issued in 2 pts., pt. 2 being the Report of the National Museum.
The Chautauquan
None
House documents
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Report of Proceedings with the Papers Read at the ... Annual General Meeting Held at ...
Report of the first meeting, includes a short account of the formation of the Association.
