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With particular reference to Deleuze, and drawing on Spinoza, Nietzsche and Bergson, Simone Bignall attends to a minor tradition within Western philosophy to argue that a non-imperial concept of social and political agency and a postcolonial philosophy of material transformation are embedded within aspects of poststructuralist social philosophy.Postcolonial Agency complements and balances the attention given by postcolonial theory to the revitalisation and recognition of the agency of colonised peoples. It offers new conceptual scaffolding to those who have inherited the legacy of colonial privilege, and who now seek to responsibly transform this historical injustice.
After Sept. 11, 2001, George W. Bush declared, “Either you are with us, or you are with the terrorists.” Bush’s assertion was not simply jingoist bravado—it encapsulates the civilizationalist moralism that has motivated and defined the United States since its beginning, linking the War on Terror to the nation’s settlement and founding. In Queer Terror, C. Heike Schotten offers a critique of U.S. settler-colonial empire that draws on political, queer, and critical indigenous theory to situate Bush’s either/or moralism and reframe the concept of terrorism. The categories of the War on Terror exemplify the moralizing politics that insulate U.S. empire from critique, render its victi...
The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.
Driven by the Foucauldian attitude of subsuming architectural history into a genealogy of techne, Architectures of Life and Death advances a transdisciplinary approach rethinking subjectivity and exploring the political ramifications of these processes for the discipline of architecture and beyond. In contrast to mainstream approaches, architecture will not be seen as representative of culture, but as the mechanism of culture, the ‘collective equipment’ that rests on the reciprocal determination of social habits and technological habitats. In this sense, the idea that we shape our environments, therefore they shape us, is not to be taken as a metaphor. The animate has always been utterly dependent on the inanimate. A livable habitat is one which the inhabitant actively co-evolves with and which does not constitute a ready-made condition to which the inhabitant would simply have to passively adapt.
Cinema of/for the Anthropocene sheds new light on the question of how films can allow us to resituate ourselves within what is known today as the Anthropocene. The authors address this question through a variety of disciplines and theoretical perspectives, from film and cultural studies, new materialisms, critical posthumanism and animal studies, critical race theory and Indigenous media studies, to gender and sexuality studies, with a primary focus on films produced in the United States and Canada. The volume moves beyond the mere acknowledgment of the devastating damage inflicted during the Anthropocene to think about new ways of inhabiting the world through concepts such as affect, respon...
This collection of essays evaluates Agamben's work from a postcolonial perspective. Svirsky and Bignall assemble leading figures to explore the rich philosophical linkages and the political concerns shared by Agamben and postcolonial theory.
The field of 'queer theory' has long been dominated by the work of Judith Butler and the focus on performativity. This collection of work proposes a major paradigm shift in debates on sexuality.
Deleuzian Encounters brings together sixteen accessible, thought-provoking essays that examine the practical and ethical implications of Deleuze's philosophy for different contemporary social issues. Topics explored include: the environment, terrorism, refugees, indigenous reconciliation, gender, suicide, intellectual disability, injecting drug use, classroom teaching and global activism. Each contribution provides practical examples of how to make use of Deleuze's thought in social research, and offers fresh insights into the creative and innovative potentials Deleuze's philosophy holds for social thought and action.
Deleuze and Contemporary Art maps the relations and resonances between the important and influential twentieth-century French philosophers Gilles Deleuze and F©♭lix Guattari and contemporary art practice.
By tracing its connections to other concepts and situating them within Deleuze's general aesthetics, Ronald Bogue develops a theory of fabulation, which he proposes as the guiding principle of a Deleuzian approach to literary narrative. This is an original and exciting project by a highly respected specialist in the field.