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The Routledge History of Fashion and Dress, 1800 to the Present
The time span covered by The Routledge History of Fashion and Dress starts in the nineteenth century, with the aftermath of the consumers’ revolution, and reaches all the way to the present. The fashion and garment industries have been international from the beginning and, as such, this volume looks at the history of fashion and dress through the lenses of both international and global history. Because fashion is also a multifaceted subject with humanagency at its core, at the confluence of thematerial (fabrics, clothing, dyes, tools, and machines) and the immaterial (savoir-faire, identities, images, and brands), this volume adopts a transdisciplinary perspective, opening its pages to res...
Women Together
"132 short histories of organisations, grouped in thirteen sections"--Introduction.
A History of New Zealand Women
What would a history of New Zealand look like that rejected Thomas Carlyle’s definition of history as ‘the biography of great men’, and focused instead on the experiences of women? One that shifted the angle of vision and examined the stages of this country’s development from the points of view of wives, daughters, mothers, grandmothers, sisters, and aunts? That considered their lives as distinct from (though often unwillingly influenced by) those of history’s ‘great men’? In her ground-breaking History of New Zealand Women, Barbara Brookes provides just such a history. This is more than an account of women in New Zealand, from those who arrived on the first waka to the Grammy ...
"Material Women, 1750?950 "
With the volume's global perspective and comparative framework, this collection contributes to the ongoing scholarly examination of consumption by taking the topic of women, material culture, and consumption into new arenas. The essays explore the connections between consumption and subjectivity; they build upon and complicate the idea that consumption, as a form of meaning making, is key to the construction of gendered, classed, and national identities. Providing a cross-cultural perspective on consumption, the essays are historically specific case studies. While some essays examine women's consumption in a range of Anglophone and Francophone locations, primarily in Britain, France, Austral...
Exhibiting Madness in Museums
This innovative collection of essays offers a comparative history of independent and institutional collections of psychiatric objects in Australia, New Zealand, Canada and the United Kingdom. Leading scholars in the field investigate collectors, collections, their display, and the reactions to exhibitions of the history of insanity.
History Making a Difference
Why care about the past? Why teach, research and write history? In this volume, leading and emerging scholars, activists and those working in the public sector, archives and museums bring their expertise to provide timely direction and informed debate about the importance of history. Primarily concerned with Aotearoa (the Māori name for New Zealand), the essays within traverse local, national and global knowledge to offer new approaches that consider the ability and potential for history to ‘make a difference’ in the early twenty-first century. Authors adopt a wide range of methodological approaches, including social, cultural, Māori, oral, race relations, religious, public, political, economic, visual and material history. The chapters engage with work in postcolonial and cultural studies. The volume is divided into three sections that address the themes of challenging power and privilege, the co-production of historical knowledge and public and material histories. Collectively, the potential for dialogue across previous sub-disciplinary and public, private and professional divides is pursued.
Women with a Mission
This is an account of the private and public lives of Elizabeth Colenso, Kate Hadfield, Anne Wilson and Charlotte Brown, who lived in New Zealand during the 19th century. All were married to missionaries, but they led quite different lives. Charlotte Brown and Anne Wilson represent first generation missionary women, who came to New Zealand from Britain; Elizabeth Colenso and Kate Hadfield represent the second generation, those who were born in New Zealand. . These four women played a significant part in the shaping of early colonial life in New Zealand. Some were in many ways just as important as their better-known husbands. They were wives and mothers, but they were also teachers, upholders of the faith and heavily involved with Maori, with some even learning the language. The book looks at both their public and private lives, and their efforts to juggle family and outside commitments. Drawing on the women's letters, journals and diaries,Women with a Mission shows these pioneering women were more than just wives.
Girls & Women, Men & Boys
This work seeks to explain what it meant to be male or female in Taradale, Hawkes Bay, in the half century from 1880 to 1930. Daley places particular focus on family, work and leisure.
Looking Flash
Offering a fresh look at the role of clothes in New Zealand history, this reference examines what New Zealanders wear and what they have worn--from the shrinking bathing suit to the black singlet--over the past three centuries, proving that clothing reveals as much as it conceals. The authors show that, despite a reputation for being wary of "looking flashy," New Zealand has not always been a dowdy country. Essays span the clothing of pre-colonial Maori society, marching girls and castaways, and include 18th century heirloom dresses, hand-me-downs, wartime garb, and kilts. There are also extraordinary stories about the fate of a Maori cloak and an Otago farmer's remarkable collection of 1970s high-fashion garments.
