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Better Stories assembles essays and provocations in honor of Lawrence Grossberg’s radically contextual and affectively attuned lifework. In over fifty chapters, contributors trace mattering maps of influence, friendship, and intellectual struggle charged with the hope that thinking together—with feeling—can change the world. These essays not only comment on Grossberg’s ideas and many published works but also engage, expand, confront, and reshape them. Here, cultural studies is not a settled field but an unruly and ongoing conversation: an affective and political project sustained through convivial agonism, where asking “so what?” sparks new thinking and even better stories. With ...
"For 2,500 years, since the time of Herodotus and Thucydides, historians have sought to record the truth about the past. Today, however, the discipline is suffering a potentially lethal attach from the rise to prominence of an array of French-inspired literary and social theories, each of which denies that truth and knowledge about the past are possible. These theories claim the central point on which history was founded no longer holds: there is no fundamental distinction between history and myth or between history and fiction." "Historians in classrooms from Berkeley to Paris have embraced these views, and an increasing number of literary critics and social theorists now feel free to defin...
As one of the founding figures of cultural studies, Lawrence Grossberg was an early participant in the Birmingham Centre for Contemporary Cultural Studies' project, one which sought to develop a critical practice adequate to the complexities of contemporary culture. The essays in Bringing It All Back Home bring a sense of history, depth, and contestation to the current success of cultural studies while charting Grossberg's intellectual and theoretical developments from his time at Birmingham to the present day. Written over a twenty-year period, these essays--which helped introduce British cultural studies to the United States--reflect Grossberg's ongoing effort to find a way of theorizing p...
Stuart Hall’s retirement from the Open University in 1997 provided a unique opportunity to reflect on an academic career which has had the most profound impact on scholarship and teaching in many parts of the world. From his early work on the media, through his influential re-working of Gramsci for the analysis of Britain in the late 1970s, through his considered debates on Thatcherism and more recently on “race” and new ethnicities, Hall has been an inspirational figure for generations of academics. He has helped to make universities places where ideas and social commitment can exist alongside each other. This collection invites a wide range of academics who have been influenced by Stuart Hall’s writing to contribute not a memoir or a eulogy but an engaged piece of social, cultural or historical analysis which continues and develops the field of thinking opened up by Hall. The topics covered include identity and hybridity, history and post-colonialism, pedagogy and cultural politics, space and place, globalization and economy, modernity and difference.
Bringing together cultural, political and economic analyses, Lawrence Grossberg offers an original and bold interpretation of the contemporary politics of both rock and popular culture.
Soon after its publication in 1973, Fear of Flying brought Erica Jong immense popular success and media fame. Alternately pegged sassy and vulgar, Jong's novel embraced the politics of the women's liberation movement and challenged the definition of female sexuality. Yet today, more than twenty years and several books later, literary reputation continues, for the most part, to elude Jong. Typecast by her adversaries as a media-seeking sensationalist, Erica Jong has been unfairly side-stepped by academia, Charlotte Templin contends. In this carefully researched study augmented by personal interviews with Jong, Templin assembles and analyzes the medley of responses to Jong's books by reviewers...
Early in the 20th century, revolutionary socialism was not only gaining momentum but appeared destined to conquer the world. By mid-century, the red flag flew over capitals in Eastern Europe, Russia, China, Southeast Asia, Africa, and Central America; by the 1970s over one-third of the world's population lived under socialist regimes. All that has changed. With the 20th century drawing to a close, the political map of the globe looks very different: most socialist states have collapsed, revolutionary movements have been abandoned, and the United States stands as the world's lone superpower. This unique volume examines these changes—the defeat of Marxism—and suggests that the present historical juncture is but a temporary setback in the march of the working class. The authors propose that Marxism remains the most useful approach in understanding and explaining contemporary capitalism and its decay, as well as the only path toward the liberation of society from class exploitation.
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