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Coming Out as Dalit
For readers of Caste, the coming-of-age story of a Dalit individual that illuminates systemic injustice in India and its growing impact on US society “A moving personal story and a useful educational examination of persistent discrimination”—Kirkus Reviews Winner of the Sahitya Akademi Yuva Puruskar, 2020 Born into a “formerly untouchable manual-scavenging family in small-town India,” Yashica Dutt was taught from a young age to not appear “Dalit looking.” Although prejudice against Dalits, who compose 25% of the population, has been illegal since 1950, caste-ism in India is alive and well. Blending her personal history with extensive research and reporting, Dutt provides an inc...
Coming Out as Dalit
"In this personal memoir that is also a narrative of the Dalits, Yashica Dutt wrties about the journey of coming to terms with her identity and takes us through the history of the Dalit movement."--
Dalit Autobiography: A Critical Study
Dalit Autobiography is a distinctive literary form in the sense that it shifts from personal ‘I’ to communal ‘we’. This shifting from individual to communal differentiates such autobiographies from mainstream autobiographies where the autobiography mainly centers round personal experiences of the autobiographer concerned. On the other hand, Dalit Autobiographies deal not only with the individual writer but also with the community he or she belongs to. Transformation of individualistic ‘I’ into communal ‘we’ makes such autobiographies completely distinctive literary form. Such autobiography reflects not only Dalit life and suffering but also their voice of protest and resistance. In this sense, Dalit autobiographers are activists and writers as well. Among Dalit autobiographers, irrespective of gender, there are innumerable autobiographies written by male and female Dalit writers. The present book is my little endeavour to articulate the voice of Dalit autobiographers which is often neglected by the mainstream socio-cultural life.
The Guide to Trauma-Informed and Emotionally Mindful Conflict Practice
Restoring social harmony requires both emotion and the difficult embrace of past felt traumas. Jeremy A. Rinker provides a clarion call for practitioners to bravely explore human emotions and past trauma. He interrogates current conflict intervention practice—moving past interest-based negotiation and needs-based conflict resolution—and provides a guide for more emotionally mindful and trauma-informed conflict intervention work. The Guide to Trauma-Informed and Emotionally Mindful Conflict Practice addresses the underattended aspects of emotions and foregrounds historical harms in the work of resolving social conflict. It critically investigates trauma and human emotions as an underexplored resource in addressing local and entrenched community violence and integrates the theory and practice of trauma-informed approaches using cultural framing, storytelling, resilience, and emotional human connection to chart new ways toward peace. This refocusing of peace work is critical for not only conflict resolution but also for overcoming the ossification of polarized social identity formations.
Encyclopedic Dictionary of Diasporic Indian English Writing
The Handbook of Diasporic Indian Writing in English is an essential reference to Indian literature. It features alphabetical entries of Indian writers who have bridged the gap between cultures and redefined language boundaries. As the field of diasporic writing continues to expand and intersect with various branches of English and Cultural studies, it anticipates a growing market. It offers a unique and compelling perspective on the global tapestry of literature. It draws on various interdisciplinary approaches, including postcolonial theory, cultural studies, and digital humanities, to offer fresh and innovative perspectives on the literature. It is an indispensable resource for research scholars of literary studies and related disciplines, like cultural studies and postcolonial studies.
Indian Contemporary Films and Societal Reflection
Film has always acted as a window to the society where it brings out various essences of life. India has always shown prominence in representing its inheritance and rich cultural lineage through different layers of films. Right from “Raja Harishchandra” as a full-length feature film in 1913 to the most contemporary films released on OTT, everything and everyone embedded in any of the films made in India has some level of relevance to the time and society, therefore, they can be called contemporary while projecting some form of social message through their presence. The book “Indian Contemporary Films and Societal Reflection” presents a collection of a list of reviews based on some of...
The Hero and Hero-Making Across Genres
This book critically examines how a Hero is made, sustained, and even deformed, in contemporary cultures. It brings together diverse ideas from philosophy, mythology, religion, literature, cinema, and social media to explore how heroes are constructed across genres, mediums, and traditions. The essays in this volume present fresh perspectives for readers to conceptualize the myriad possibilities the term ‘Hero’ brings with itself. They examine the making and unmaking of the heroes across literary, visual and social cultures —in religious spaces and in classical texts; in folk tales and fairy tales; in literature, as seen in Heinrich Böll’s Und Sagte Kein Einziges Wort, Thomas Brüss...
Modern Photography
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India Today
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